Age: 26
female
Bailee Madison Riley (born October 15, 1999) is an American actress and singer. She first gained acclaim for her role as May Belle Aarons in the fantasy drama film Bridge to Terabithia (2007). Madison received further recognition for her starring roles as Isabelle in the war drama film Brothers (2009), Sally Hurst in the horror film Don't Be Afraid of the Dark (2010), Maggie in the romantic comedy film Just Go with It (2011), Harper Simmons in the comedy film Parental Guidance (2012), Ida Clayton in the family film Cowgirls 'n Angels (2012), Clementine in the fantasy film Northpole (2014), Kinsey in the slasher film The Strangers: Prey at Night (2018), and Avery in the Netflix film A Week Away (2021). On television, she appeared as Maxine Russo in the fantasy sitcom Wizards of Waverly Place (2011), young Snow White in the fantasy drama series Once Upon a Time (2012–2016), Hillary Harrison in the sitcom Trophy Wife (2013–2014), and Sophia Quinn in the drama series The Fosters (2014–2016). From 2015 to 2021, Madison starred as Grace Russell in the Hallmark Channel comedy-drama series Good Witch. In 2022, she began her role as Imogen Adams in the horror thriller series Pretty Little Liars: Original Sin, a spinoff of Pretty Little Liars.
Bailee Madison
Teen Hayley Aldridge
for Teen Hayley Aldridge in Hayley Aldridge Is Still Here
Suggested by dinothor21
It’s been years since anyone really thought about Hayley Aldridge. A child star turned television royalty, Hayley spent years in Hollywood partying and being plastered across the front page of all the tabloids before quietly disappearing after a whirlwind marriage and divorce and very public breakdown. Once the tabloids wrung every last drop out of the drama, they moved on to the next It Girl. But Hayley is still here. For over a decade, she’s been trapped in a conservatorship and had every aspect of her life controlled by her parents. She goes nowhere, does nothing without their approval, which is rarely granted. Her visits with her kids are monitored, her fan mail is censored, and she’s a prisoner in her own home. She thought things might change once she was well enough to work, but the restrictions got even tighter as she continued to bring money in—the only thing her parents ever really cared about. Hayley is beginning to realize that this nightmare is her actual life. And she’s sick of it. When the hashtag #helphayley starts to emerge on social media, and the public starts thinking critically about what happened to her all those years ago, there’s finally some momentum on her side. With an upcoming court date to review the status of the conservatorship, Hayley might finally have a chance to break free.
