Age: 69
female
Frances Louise McDormand (born Cynthia Ann Smith; June 23, 1957) is an American film, stage and television actress. McDormand began her career on stage and made her screen debut in the 1984 film Blood Simple, having since appeared in several theatrical and television roles. McDormand has been recognized for her performances in 'Mississippi Burning' (1988), 'Short Cuts' (1993), 'Fargo' (1996), 'Wonder Boys' (2000), 'Almost Famous' (2000), 'North Country' (2005), 'Moonrise Kingdom' (2012), 'Hail, Caesar!' (2016), 'Three Billboards Outside Ebbing, Missouri' (2017), 'Nomadland' (2020) and 'The Tragedy of Macbeth' (2021). Throughout her career, she has been nominated for eight Golden Globes, five Academy Awards, four BAFTA Awards, and three Emmy Awards. She is one of the few performers to achieve the "Triple Crown of Acting", winning an Academy Award, a Primetime Emmy Award, and a Tony Award. She won her first Academy Award for Best Actress in 1997 for her role as Marge Gunderson in 'Fargo'. She also won Best Supporting Actress from the Broadcast Film Critics Association, the Florida Film Critics Circle, and the Los Angeles Film Critics Association for her performance in 'Wonder Boys' (2000). McDormand returned to the stage in the David Lindsay-Abaire play Good People on Broadway from February 8, 2011 to April 24, 2011. In 2017, McDormand starred in 'Three Billboards Outside Ebbing, Missouri' which earned her a second Academy Award for Best Actress. McDormand has been married to filmmaker Joel Coen since 1984, they reside in New York City along with their adopted son Pedro.
Frances McDormand
Patricia Aldridge
for Patricia Aldridge in Hayley Aldridge Is Still Here
Suggested by kamsismith
It’s been years since anyone really thought about Hayley Aldridge. A child star turned television royalty, Hayley spent years in Hollywood partying and being plastered across the front page of all the tabloids before quietly disappearing after a whirlwind marriage and divorce and very public breakdown. Once the tabloids wrung every last drop out of the drama, they moved on to the next It Girl. But Hayley is still here. For over a decade, she’s been trapped in a conservatorship and had every aspect of her life controlled by her parents. She goes nowhere, does nothing without their approval, which is rarely granted. Her visits with her kids are monitored, her fan mail is censored, and she’s a prisoner in her own home. She thought things might change once she was well enough to work, but the restrictions got even tighter as she continued to bring money in—the only thing her parents ever really cared about. Hayley is beginning to realize that this nightmare is her actual life. And she’s sick of it. When the hashtag #helphayley starts to emerge on social media, and the public starts thinking critically about what happened to her all those years ago, there’s finally some momentum on her side. With an upcoming court date to review the status of the conservatorship, Hayley might finally have a chance to break free.
