Age: 48
female
Malin Maria Akerman (born May 12, 1978) is a Swedish actress, producer and model. In the early 2000s, she had several small television and film parts in both Canadian and American productions, including The Utopian Society (2003) and Harold & Kumar Go to White Castle (2004). Following a supporting role on the HBO mockumentary sitcom The Comeback (2005), she gained her first co-starring roles in the romantic comedy films The Heartbreak Kid (2007) uncredited in The Invasion (2007) 27 Dresses (2008). She played the female lead in Watchmen (2009) as Silk Spectre II, a role for which she was nominated for a Saturn Award for Best Supporting Actress. In 2009, she had supporting and starring roles in the romantic comedies The Proposal and Couples Retreat. From 2010 to 2016, she starred on the Adult Swim comedy series Childrens Hospital. In 2012, she co-starred in the comedy Wanderlust and the musical film Rock of Ages. She had her first lead television role with the short-lived ABC comedy series Trophy Wife (2013–2014). She later co-starred in the film I'll See You in My Dreams (2015) and the action film Rampage (2018). Since 2016, she has had a main role on the Showtime drama series Billions as Lara Axelrod. Apart from acting and modelling, she had a brief music career as the lead vocalist for alternative rock band The Petalstones in the early 2000s, but eventually left to focus on her acting career. She has been married twice, first from 2007 to 2014 to Petalstones drummer Roberto Zincone, with whom she has a son, and, since 2018, to English actor Jack Donnelly.
His father was murdered. His uncle did it. His uncle is now married to his mother and sitting on his father's throne. He knows. Nobody else does. He has to decide what to do with knowing. The fullest, most unabridged feature film adaptation of Hamlet ever produced — three hours and six minutes of Shakespeare's longest, most philosophically complex play given complete screen time. Every scene is present. Every soliloquy is filmed in a single unbroken take. The visual world: medieval Denmark rendered in cold light, grey stone, the specific claustrophobia of a court where everyone watches everyone. The film treats Hamlet as what he is — not simply a man paralyzed by indecision but a man whose extraordinary intelligence makes him unable to act without understanding everything, and who lives in a world where understanding everything has become impossible. The romantic relationship with Ophelia is given its full tragic weight. Gertrude's psychology — does she know? — is treated as the play's most deliberately unanswerable question. Act One — The Ghost The ghost's appearance and its accusation. Hamlet's response — not immediately 'To be or not to be' but the specific practical crisis of being told your father was murdered by your uncle who is now your stepfather. Act Two — The Play The 'Mousetrap' — the play within the play. Claudius's reaction. 'To be or not to be.' The Ophelia scene. The closet scene with Gertrude. Act Three — England and Return Hamlet's exile, Ophelia's madness, her death. Hamlet's return. 'The readiness is all.' Act Four — The Final Scene The poisoned swords. The poisoned cup. Everyone dying in one scene. Horatio's survival and its specific loneliness.
