David S. Goyer

Age: 60

male

David Samuel Goyer (born December 22, 1965) is an American filmmaker, novelist, and comic book writer. He is best known for writing the screenplays and stories for several superhero films, including Nick Fury: Agent of S.H.I.E.L.D. (1998), the Blade trilogy (1998–2004), Christopher Nolan's Dark Knight trilogy (2005–2012), Man of Steel (2013), and Batman v Superman: Dawn of Justice (2016). He has also directed four films: Zig Zag (2002), Blade: Trinity (2004), The Invisible (2007), and The Unborn (2009). He is the creator of the science fiction television series Foundation, which is loosely based on the Foundation series written by Isaac Asimov. Goyer was co-writer of the video games Call of Duty: Black Ops, Call of Duty: Black Ops II, and Call of Duty: Black Ops Cold War. He won a Saturn Award for Best Writing for Batman Begins (2005), received another nomination for Dark City, and was nominated for four Hugo Awards. Description above from the Wikipedia article David S. Goyer, licensed under CC-BY-SA, full list of contributors on Wikipedia.

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David S. Goyer

Writer

for Writer in Guillermo Del Toro's Ailen: Shadow of the Abyss

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Guillermo Del Toro's Ailen: Shadow of the Abyss

In the year 2100, Four years before the events of Alien: Covenant, the crew of the research vessel Goliath is sent on a classified mission by Weyland-Yutani to explore an uncharted planet in a distant star system. The planet, designated LV-243, is rumored to be home to ancient ruins left behind by the Engineers—a race of godlike beings who created humanity and may have been responsible for the creation of the Xenomorphs. Upon arrival, the crew discovers a massive, labyrinthine structure buried deep beneath the planet’s surface, a place where shadows seem to have a life of their own. As they venture deeper into the labyrinth, they uncover horrifying secrets about the Engineers’ experiments, including early versions of the Xenomorphs, more terrifying and grotesque than anything humanity has encountered before. As the crew attempts to escape the labyrinth, they are hunted by these ancient, monstrous creatures and begin to unravel the dark truth behind the Engineers' plans for both the Xenomorphs and humanity. The film explores themes of creation and destruction, the fine line between godhood and monstrosity, and the terrifying abyss that lies within every sentient being.

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