Age: 30
female
Florence Pugh (/pjuː/ PEW; born 3 January 1996) is an English actress. After making her acting debut in the drama film The Falling (2014), Pugh gained praise for starring in the independent drama Lady Macbeth (2016) and the miniseries The Little Drummer Girl (2018). Her international breakthrough came in 2019 with her portrayals of professional wrestler Paige in the sports film Fighting with My Family, a despondent American woman in the horror film Midsommar, and Amy March in the period drama Little Women. For the last of these, she was nominated for the Academy Award for Best Supporting Actress. Pugh has played Yelena Belova in the Marvel Cinematic Universe, starring in the films Black Widow (2021) and Thunderbolts* (2025) and the Disney+ miniseries Hawkeye (2021). In her highest-grossing releases, she voiced Goldilocks in Puss in Boots: The Last Wish (2022) and portrayed Jean Tatlock in Oppenheimer (2023) and Princess Irulan in Dune: Part Two (2024). She also continued to gain praise for her performances in dramas such as We Live in Time (2024). Description above from the Wikipedia article Florence Pugh, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Florence Pugh
Dr. Lila Watts
for Dr. Lila Watts in Guillermo Del Toro's Ailen: Shadow of the Abyss
Suggested by benjaminclaxton
In the year 2100, Four years before the events of Alien: Covenant, the crew of the research vessel Goliath is sent on a classified mission by Weyland-Yutani to explore an uncharted planet in a distant star system. The planet, designated LV-243, is rumored to be home to ancient ruins left behind by the Engineers—a race of godlike beings who created humanity and may have been responsible for the creation of the Xenomorphs. Upon arrival, the crew discovers a massive, labyrinthine structure buried deep beneath the planet’s surface, a place where shadows seem to have a life of their own. As they venture deeper into the labyrinth, they uncover horrifying secrets about the Engineers’ experiments, including early versions of the Xenomorphs, more terrifying and grotesque than anything humanity has encountered before. As the crew attempts to escape the labyrinth, they are hunted by these ancient, monstrous creatures and begin to unravel the dark truth behind the Engineers' plans for both the Xenomorphs and humanity. The film explores themes of creation and destruction, the fine line between godhood and monstrosity, and the terrifying abyss that lies within every sentient being.
