Age: 42
female
Rebecca Louisa Ferguson Sundström (born 19 October 1983) is a Swedish actress. She is bilingual and has worked extensively in Sweden, Great Britain, and mainly in the United States. Ferguson began her television acting career in 1999 with the Swedish soap opera Nya Tider, and she made her motion picture debut in 2004 with the Swedish slasher film Drowning Ghost. She came to international prominence with her portrayal of Elizabeth Woodville in the British BBC drama The White Queen (2013), for which she was nominated for a Golden Globe for Best Actress in a Miniseries or Television Film. Ferguson starred as MI6 agent Ilsa Faust, opposite Tom Cruise, in three of the Mission: Impossible films: Rogue Nation (2015), Fallout (2018), and Dead Reckoning Part One (2023). She played Jenny Lind in the musical film The Greatest Showman (2017), starred in the horror films Life (2017) and Doctor Sleep(2019), and had supporting parts in the comedy-drama Florence Foster Jenkins (2016), the thriller The Girl on the Train (2016), and the science fiction films Dune(2021) and Dune: Part Two (2024). In 2023, she began starring in the Apple TV+science fiction series Silo. Description above from the Wikipedia article Rebecca Ferguson, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Rebecca Ferguson
Dr. Evelyn Kane
for Dr. Evelyn Kane in Guillermo Del Toro's Ailen: Shadow of the Abyss
Suggested by benjaminclaxton
In the year 2100, Four years before the events of Alien: Covenant, the crew of the research vessel Goliath is sent on a classified mission by Weyland-Yutani to explore an uncharted planet in a distant star system. The planet, designated LV-243, is rumored to be home to ancient ruins left behind by the Engineers—a race of godlike beings who created humanity and may have been responsible for the creation of the Xenomorphs. Upon arrival, the crew discovers a massive, labyrinthine structure buried deep beneath the planet’s surface, a place where shadows seem to have a life of their own. As they venture deeper into the labyrinth, they uncover horrifying secrets about the Engineers’ experiments, including early versions of the Xenomorphs, more terrifying and grotesque than anything humanity has encountered before. As the crew attempts to escape the labyrinth, they are hunted by these ancient, monstrous creatures and begin to unravel the dark truth behind the Engineers' plans for both the Xenomorphs and humanity. The film explores themes of creation and destruction, the fine line between godhood and monstrosity, and the terrifying abyss that lies within every sentient being.
