Age: 59
female
Alison Doody (born November 11, 1966) is an Irish actress and model. She is the youngest of three children. She was educated in a convent, where she gained a passion for the arts. She later studied at the National College of Fine Arts in Dublin, but left because she lacked the motivation and thought she would take a year off to think it out. Meanwhile, while sitting in a café with friends, she was approached by a still photographer who asked her if she would be interested to model. Thinking she could use the pocket money, she said yes. Modeling proved to be both fun and lucrative, and very soon she did it professionally. Her modeling contracts led to commercial work, which would take her around the world. One day, a casting director saw her work and suggested she try acting instead. She was sent to London at age 19, where she quickly won an audition to appear in the new James Bond film, A View to a Kill (1985). She so loved acting that she pursued a career in that direction. After her first film, she shot a few TV dramas in London and in Dublin, but her big break came when she was cast as Austrian seductress Dr. Elsa Schneider in Indiana Jones and the Last Crusade (1989). Apparently she made a huge impression on Steven Spielberg and George Lucas, who loved her great sense of humor and her Grace Kelly looks. After Indiana Jones, which introduced her to Hollywood and to the United States, she was chosen to replace Cybill Shepherd as spokeswoman for L'Oréal. After that she shot a few B-movies in the United States, but at one point felt she missed Ireland too much, so she went back to Dublin. In 1994, she put her career on hold to spend more time with media heir Gavin O'Reilly, whom she had been dating for two years. In 1996 they married, and later had two children. In 2002, she was asked to cameo in the 'Michael Caine (I)_ comedy Les acteurs (2003), and there she regained a lust for the movie industry. The following summer, she shot Allan Quatermain et la pierre des ancêtres (2004) with co-starPatrick Swayze, and it's then that the whole ball started rolling again. In 2005, she and her husband divorced and she decided to re-launch her stalled career, but she quickly realized how difficult it was to break into this kind of business for a second time, especially after ten years away from the camera. Recently she appeared in the short film Benjamin's Struggle (2005), directed by newcomer James Breese, and played a role in the well-known British series Meurtres en sommeil (2000). In a recent interview, she said she was thrilled to be acting again, but added that she wasn't willing to accept anything for the sake of working. She is determined to find the right part, but she also wants to do different things: "I'm fed up playing the nasty Nazi. I'd like to do something quite extreme."
Alison Doody
Cosmo
for Cosmo in Guardians of the Galaxy Vol. 3 (1993)
Suggested by user_251425
The Guardians have settled fully into their roles as the galaxy's protectors from their new home base of Knowhere, which they have transformed into a refuge for outcasts and people down on their luck. However, this new status quo is shaken by the arrival of a new threat — the Sovereign superweapon, Adam Warlock, who pushes the Guardians of the Galaxy to their breaking point in an initial confrontation that leaves Rocket grievously injured in a way where he cannot be healed thanks to a copyright-locked bomb in Rocket's cybernetic body. Racing against the clock, the Guardians discover that they can save their friend if they can infiltrate OrgoCorp, a bioengineering company that has the key to saving Rocket's life. While hooked up to medical devices, Rocket's origins are explored in full, unveiling his backstory and explaining how his traumatic past created the person that he is. It's revealed that he was uplifted by the High Evolutionary, who also runs OrgoCorp and created the Sovereigns, in pursuit of creating a perfect society by any means necessary. The High Evolutionary then seeks Rocket for his own sinister designs, as he's dissatisfied with the way the universe is and seeks to recreate it in his image. The Guardians must now rally to face what could very well be their greatest challenge — and the last one that they will do together.
