Age: 36
female
Jessie Buckley (born 28 December 1989) is an Irish actress and singer. Her accolades include Best Actress at the Oscar Academy Awards 2026 (becoming the first Irish woman to win it), a British Academy Film Award, an Actor Award, a Golden Globe Award, and a Scottish BAFTA, in addition to nominations for two Academy Awards. Buckley began her career in 2008 as a contestant on the BBC talent show I'd Do Anything, in which she came second. A RADA graduate, her early onscreen appearances were in BBC television series such as War & Peace (2016) and Taboo (2017). Buckley made her film debut with the lead role in Beast (2017), followed by her breakout role as an aspiring country music singer in the musical film Wild Rose (2018); the latter earned her a nomination for the BAFTA Award for Best Actress in a Leading Role. Buckley's career progressed with starring roles in films such as I'm Thinking of Ending Things (2020), Men (2022), Women Talking (2022) and Wicked Little Letters (2023). For her performance as a troubled mother in the psychological drama The Lost Daughter (2021), she received nominations for the BAFTA Award for Best Actress in a Supporting Role and the Academy Award for Best Supporting Actress. She gained further recognition for her portrayal of Agnes Shakespeare in the period drama Hamnet (2025), receiving a Golden Globe, a BAFTA Award, an Actor Award and an Academy Award for Best Actress. On television, Buckley has starred in the HBO miniseries Chernobyl (2019) and season four of Fargo (2020). On stage, Buckley's portrayal of Sally Bowles in a 2021 West End theatre revival of Cabaret won her the Laurence Olivier Award for Best Actress in a Musical. In 2022, she released the collaborative album For All Our Days That Tear the Heart with Bernard Butler, which was shortlisted for the 2022 Mercury Prize. Description above from the Wikipedia article Jessie Buckley, licensed under CC-BY-SA, full list of contributors on Wikipedia.
The year is 1901, and Ada Byrd ― spinster, schoolmarm, amateur naturalist ― accepts a teaching post in isolated Lowry Bridge, grateful for the chance to re-establish herself where no one knows her secrets. She develops friendships with her neighbors, explores the woods with her students, and begins to see a future in this tiny farming community. Her past ― riddled with grief and shame ― has never seemed so far away. But then, Ada begins to witness strange and grisly a swarm of dying crickets, a self-mutilating rabbit, a malformed faun. She soon believes that something ancient and beastly ― which she calls the grey dog ― is behind these visceral offerings, which both beckon and repel her. As her confusion deepens, her grip on what is real, what is delusion, and what is traumatic memory begins to fail. Ada takes on the wildness of the woods, and begins to wonder which is more dangerous: the grey dog, or herself.
