Age: 55
female
Jennifer Lynn Connelly (born December 12, 1970) is an American actress. She began her career as a child model before making her acting debut in the 1984 crime film Once Upon a Time in America. After having worked as a model for several years, she began to concentrate on acting, starring in a variety of films including the horror film Phenomena (1985), the musical fantasy film Labyrinth (1986), the romantic comedy Career Opportunities (1991), and the period superhero film The Rocketeer (1991). She received praise for her performance in the science fiction film Dark City (1998) and playing a drug addict in Darren Aronofsky's drama film Requiem for a Dream (2000). Connelly was named Amnesty International Ambassador for Human Rights Education in 2005. She has been the face of Balenciaga and Louis Vuitton fashion advertisements, as well as for Revlon cosmetics. In 2012, she was named the first global face of the Shiseido Company. Magazines, including Time, Vanity Fair, and Esquire, as well as the Los Angeles Times newspaper, have included her on their lists of the world's most beautiful women. Description above from the Wikipedia article Jennifer Connelly, licensed under CC-BY-SA, full list of contributors on Wikipedia.
It's 2034 and Jake Greenwood is a storyteller and a liar, an overqualified tour guide babysitting ultra-rich vacationers in one of the world's last remaining forests. It's 2008 and Liam Greenwood is a carpenter, fallen from a ladder and sprawled on his broken back, calling out from the concrete floor of an empty mansion. It's 1974 and Willow Greenwood is out of jail, free after being locked up for one of her endless series of environmental protests: attempts at atonement for the sins of her father's once vast and violent timber empire. It's 1934 and Everett Greenwood is alone, as usual, in his maple syrup camp squat when he hears the cries of an abandoned infant and gets tangled up in the web of a crime that will cling to his family for decades. And throughout, there are trees: thrumming a steady, silent pulse beneath Christie's effortless sentences and working as a guiding metaphor for withering, weathering, and survival. A shining, intricate clockwork of a novel, Greenwood is a rain-soaked and sun-dappled story of the bonds and breaking points of money and love, wood and blood—and the hopeful, impossible task of growing toward the light.
