Age: 49
male
Michael Fassbender (German pronunciation:[ˈmɪçaːʔeːl 'fasbɛndɐ]; born 2 April 1977) is a German-Irish actor. His accolades include nominations for two Academy Awards, four British Academy Film Awards and three Golden Globe Awards. In 2020, he was listed at number nine on The Irish Times list of Ireland's greatest film actors. After studying at the Drama Centre London, Fassbender made his feature film debut in 300 (2006). Early roles include the HBO miniseries Band of Brothers (2001) and the Sky One fantasy drama Hex (2004–2005). He first came to prominence playing Bobby Sands in the drama Hunger (2008). Subsequent roles include the 2009 films Fish Tank and Inglourious Basterds, and the 2011 films Jane Eyre and A Dangerous Method. He gained mainstream success for playing Erik Lehnsherr / Magneto in the X-Men series, and David 8 and Walter One in Prometheus (2012), and its sequel, Alien: Covenant (2017). For his portrayal of a addict in Steve McQueen's drama Shame (2011), he won the Volpi Cup for Best Actor. His portrayals of Edwin Epps in the historical drama 12 Years a Slave (2013) and the title role in biographical drama Steve Jobs (2015), respectively, earned him nominations for the Academy Award for Best Supporting Actor and Best Actor. Following further roles in the films The Counselor (2013), Frank (2014), and Macbeth (2015), he took an eight-year hiatus, during which he began competing in auto racing. After driving for Proton Competition in the European Le Mans Series in 2023, Fassbender made a return to acting with the action films The Killer (2023) and Black Bag (2025). Married to Swedish actress Alicia Vikander since 2017, he has two children. Description above from the Wikipedia article Michael Fassbender, licensed under CC-BY-SA, full list of contributors on Wikipedia.
It's 2034 and Jake Greenwood is a storyteller and a liar, an overqualified tour guide babysitting ultra-rich vacationers in one of the world's last remaining forests. It's 2008 and Liam Greenwood is a carpenter, fallen from a ladder and sprawled on his broken back, calling out from the concrete floor of an empty mansion. It's 1974 and Willow Greenwood is out of jail, free after being locked up for one of her endless series of environmental protests: attempts at atonement for the sins of her father's once vast and violent timber empire. It's 1934 and Everett Greenwood is alone, as usual, in his maple syrup camp squat when he hears the cries of an abandoned infant and gets tangled up in the web of a crime that will cling to his family for decades. And throughout, there are trees: thrumming a steady, silent pulse beneath Christie's effortless sentences and working as a guiding metaphor for withering, weathering, and survival. A shining, intricate clockwork of a novel, Greenwood is a rain-soaked and sun-dappled story of the bonds and breaking points of money and love, wood and blood—and the hopeful, impossible task of growing toward the light.
