Age: 34
male
Joseph David Keery, also known professionally as Djo, is an American actor, singer, and musician. He first gained international recognition for playing Steve Harrington in the science fiction series Stranger Things (2016–2025), and has since starred in the comedy horror film Spree (2020), the comedy film Free Guy (2021), and in the fifth season of the crime comedy-drama series Fargo (2023–2024). As a musician, Keery was a founding member of the psychedelic rock band Post Animal. He left the band in 2018 due to acting commitments. In 2019, he released his debut solo album, Twenty Twenty (2019), as Djo. His second album, Decide (2022), spawned the sleeper hit and his first Billboard Hot 100 entry, "End of Beginning", after it became viral on TikTok in 2024. Djo's third album, The Crux, was released in 2025. He rejoined Post Animal that same year and headlined the Back on You World Tour as Djo with Post Animal as openers. Description above from the Wikipedia article Joe Keery, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Alice Scott is an eternal optimist still dreaming of her big writing break. Hayden Anderson is a Pulitzer-prize winning human thundercloud. And they’re both on balmy Little Crescent Island for the same reason: To write the biography of a woman no one has seen in years--or at least to meet with the octogenarian who claims to be the Margaret Ives. Tragic heiress, former tabloid princess, and daughter of one of the most storied (and scandalous) families of the 20th Century. When Margaret invites them both for a one-month trial period, after which she’ll choose the person who’ll tell her story, there are three things keeping Alice’s head in the game. One: Alice genuinely likes people, which means people usually like Alice—and she has a whole month to win the legendary woman over. Two: She’s ready for this job and the chance to impress her perennially unimpressed family with a Serious Publication Three: Hayden Anderson, who should have no reason to be concerned about losing this book, is glowering at her in a shaken-to-the core way that suggests he sees her as competition. But the problem is, Margaret is only giving each of them pieces of her story. Pieces they can’t swap to put together because of an ironclad NDA and an inconvenient yearning pulsing between them every time they’re in the same room. And it’s becoming abundantly clear that their story—just like the tale Margaret’s spinning—could be a mystery, tragedy, or love ballad…depending on who’s telling it.
