Age: 45
female
Bryce Dallas Howard (born March 2, 1981) is an American actress and director. The eldest child of filmmaker Ron Howard, she studied acting at the New York University Tisch School of the Arts. While portraying Rosalind in a 2003 production of As You Like It, Howard caught the attention of director M. Night Shyamalan, who cast her as a blind girl in the thriller film The Village (2004) and a naiad in the fantasy film Lady in the Water (2006). Howard's performance in Kenneth Branagh's romance film As You Like It (2006) earned her a Golden Globe Award nomination. She subsequently appeared as Gwen Stacy in Sam Raimi's superhero film Spider-Man 3 (2007). She went on to appear as Kate Connor in the action film Terminator Salvation (2009) and as Victoria in the fantasy film The Twilight Saga: Eclipse (2010). She also appeared in the drama film The Help (2011), the comedy-drama film 50/50 (2011), the fantasy film Pete's Dragon (2016), and the musical film Rocketman (2019). Howard gained further recognition with her role as Claire Dearing in the top-grossing Jurassic World trilogy (2015–2022). Additionally, Howard directed the documentary film Dads (2019) and episodes of the Disney+ space western series The Mandalorian (2019–present) and The Book of Boba Fett (2022). Description above from the Wikipedia article Bryce Dallas Howard, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Bryce Dallas Howard
Nina Gill
for Nina Gill in Great Big Beautiful Life
Suggested by vzzzzzzz
Alice Scott is an eternal optimist still dreaming of her big writing break. Hayden Anderson is a Pulitzer-prize winning human thundercloud. And they’re both on balmy Little Crescent Island for the same reason: To write the biography of a woman no one has seen in years--or at least to meet with the octogenarian who claims to be the Margaret Ives. Tragic heiress, former tabloid princess, and daughter of one of the most storied (and scandalous) families of the 20th Century. When Margaret invites them both for a one-month trial period, after which she’ll choose the person who’ll tell her story, there are three things keeping Alice’s head in the game. One: Alice genuinely likes people, which means people usually like Alice—and she has a whole month to win the legendary woman over. Two: She’s ready for this job and the chance to impress her perennially unimpressed family with a Serious Publication Three: Hayden Anderson, who should have no reason to be concerned about losing this book, is glowering at her in a shaken-to-the core way that suggests he sees her as competition. But the problem is, Margaret is only giving each of them pieces of her story. Pieces they can’t swap to put together because of an ironclad NDA and an inconvenient yearning pulsing between them every time they’re in the same room. And it’s becoming abundantly clear that their story—just like the tale Margaret’s spinning—could be a mystery, tragedy, or love ballad…depending on who’s telling it.
