
Age: 52
male
David Denman (born July 25, 1973) is an American actor. He made his film debut in The Replacements (2000) before his breakout role as Roy Anderson on the NBC sitcom The Office (2005–2008; 2011–2012), which earned him a Screen Actors Guild Award. In the 2010s and 2020s, Denman had main television roles as Mike Reilly on the Fox sitcom Traffic Light (2011), Mark Holter on the Cinemax horror series Outcast (2016–2017), and Frank Sheehan on the HBO Max miniseries Mare of Easttown (2021). He had starring roles in the films Puzzle (2018), Brightburn (2019), Greenland (2020), The Equalizer 3 (2023), and Rebel Ridge (2024). Description above from the Wikipedia article David Denman, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Alice Scott is an eternal optimist still dreaming of her big writing break. Hayden Anderson is a Pulitzer-prize winning human thundercloud. And they’re both on balmy Little Crescent Island for the same reason: To write the biography of a woman no one has seen in years--or at least to meet with the octogenarian who claims to be the Margaret Ives. Tragic heiress, former tabloid princess, and daughter of one of the most storied (and scandalous) families of the 20th Century. When Margaret invites them both for a one-month trial period, after which she’ll choose the person who’ll tell her story, there are three things keeping Alice’s head in the game. One: Alice genuinely likes people, which means people usually like Alice—and she has a whole month to win the legendary woman over. Two: She’s ready for this job and the chance to impress her perennially unimpressed family with a Serious Publication Three: Hayden Anderson, who should have no reason to be concerned about losing this book, is glowering at her in a shaken-to-the core way that suggests he sees her as competition. But the problem is, Margaret is only giving each of them pieces of her story. Pieces they can’t swap to put together because of an ironclad NDA and an inconvenient yearning pulsing between them every time they’re in the same room. And it’s becoming abundantly clear that their story—just like the tale Margaret’s spinning—could be a mystery, tragedy, or love ballad…depending on who’s telling it.
