Age: 57
female
Rena Sherel Sofer (born December 2, 1968) is an American actress, known for her appearances in daytime television, episodic guest appearances, and made-for-television movies. In 1995, Sofer received a Daytime Emmy Award for her portrayal of Lois Cerullo in the soap opera General Hospital. Since 2013, she has played Quinn Fuller on the CBS soap opera The Bold and The Beautiful. Sofer was born in Arcadia, California, the daughter of Susan Sofer (née Franzblau), a psychology professor, and Martin Sofer, a Conservative Jewish rabbi. Her family subsequently moved to Pittsburgh, where she was raised after her parents' divorce. Sofer attended the Frisch School, a Jewish high school in Paramus, New Jersey. She lived in North Bergen, New Jersey, where her father was rabbi of Temple Beth El, and graduated from North Bergen High School, before beginning classes at Montclair State College. This page is based on a Wikipedia article written by contributors. Text is available under the CC BY-SA 4.0 license; additional terms may apply.
Rena Sofer
Nicollet Anderson
for Nicollet Anderson in Great Big Beautiful Life
Suggested by vzzzzzzz
Alice Scott is an eternal optimist still dreaming of her big writing break. Hayden Anderson is a Pulitzer-prize winning human thundercloud. And they’re both on balmy Little Crescent Island for the same reason: To write the biography of a woman no one has seen in years--or at least to meet with the octogenarian who claims to be the Margaret Ives. Tragic heiress, former tabloid princess, and daughter of one of the most storied (and scandalous) families of the 20th Century. When Margaret invites them both for a one-month trial period, after which she’ll choose the person who’ll tell her story, there are three things keeping Alice’s head in the game. One: Alice genuinely likes people, which means people usually like Alice—and she has a whole month to win the legendary woman over. Two: She’s ready for this job and the chance to impress her perennially unimpressed family with a Serious Publication Three: Hayden Anderson, who should have no reason to be concerned about losing this book, is glowering at her in a shaken-to-the core way that suggests he sees her as competition. But the problem is, Margaret is only giving each of them pieces of her story. Pieces they can’t swap to put together because of an ironclad NDA and an inconvenient yearning pulsing between them every time they’re in the same room. And it’s becoming abundantly clear that their story—just like the tale Margaret’s spinning—could be a mystery, tragedy, or love ballad…depending on who’s telling it.
