Age: 60
male
William Michael "Billy" Zabka (born October 20, 1965) is an American actor, martial artist, screenwriter, and film producer. Zabka is best known for his role of Johnny Lawrence in The Karate Kid (1984), The Karate Kid Part II (1986), and decades later reprises the role of Johnny in the Netflix series Cobra Kai (2018-), along with Ralph Macchio as Daniel. During the 1980s, Zabka appeared in the comedy movies Just One of the Guys (1985) and Back to School (1986). Zabka also co-starred on the CBS television series The Equalizer as the son of the title character (1986–89). He also played Jack, Audrey's jock boyfriend, in National Lampoon's European Vacation (1985). During the 1990s and 2000s, he acted mostly in independent films while studying to be a filmmaker. In 2003, he wrote and produced the short film Most, shot on location in the Czech Republic and Poland. Most (aka The Bridge) had its world premiere at the Sundance Film Festival 2003 and won numerous awards at prestigious film festivals, including Best of Festival at the Palm Springs International Festival of Short Films in 2003. In 2004, he was nominated for an Academy Award for Most in the Live Action Short Film category.
William Zabka
Mr. Anderson
for Mr. Anderson in Great Big Beautiful Life
Suggested by vzzzzzzz
Alice Scott is an eternal optimist still dreaming of her big writing break. Hayden Anderson is a Pulitzer-prize winning human thundercloud. And they’re both on balmy Little Crescent Island for the same reason: To write the biography of a woman no one has seen in years--or at least to meet with the octogenarian who claims to be the Margaret Ives. Tragic heiress, former tabloid princess, and daughter of one of the most storied (and scandalous) families of the 20th Century. When Margaret invites them both for a one-month trial period, after which she’ll choose the person who’ll tell her story, there are three things keeping Alice’s head in the game. One: Alice genuinely likes people, which means people usually like Alice—and she has a whole month to win the legendary woman over. Two: She’s ready for this job and the chance to impress her perennially unimpressed family with a Serious Publication Three: Hayden Anderson, who should have no reason to be concerned about losing this book, is glowering at her in a shaken-to-the core way that suggests he sees her as competition. But the problem is, Margaret is only giving each of them pieces of her story. Pieces they can’t swap to put together because of an ironclad NDA and an inconvenient yearning pulsing between them every time they’re in the same room. And it’s becoming abundantly clear that their story—just like the tale Margaret’s spinning—could be a mystery, tragedy, or love ballad…depending on who’s telling it.
