Age: 13
female
Caoilinn Springall is an Irish child actress. Her films include The Midnight Sky (2020) and The Beast Within (2024). On television, she is known for her role in the Amazon Prime series Citadel (2023). Springall made her feature film debut in the 2020 Netflix science-fiction drama, The Midnight Sky, directed by George Clooney. In the film, she played the role of Iris, a mysterious young girl who forms a bond with Clooney's character, Augustine Lofthouse. Her performance was widely praised for its emotional depth and maturity, especially considering her young age Following this, Springall secured a main role in the television series Citadel, and a recurring role as Little Girl in the British psychological horror film Stopmotion. She starred in Paul W. S. Anderson's fantasy-adventure film In the Lost Lands, alongside Dave Bautista and Deirdre Mullins, which was released in 2025. Springall appeared in the 2024 Doctor Who episode "Boom", playing Splice Alison Vater.
Caoilinn Springall
Margaret Ives (Child)
for Margaret Ives (Child) in Great Big Beautiful Life
Suggested by vzzzzzzz
Alice Scott is an eternal optimist still dreaming of her big writing break. Hayden Anderson is a Pulitzer-prize winning human thundercloud. And they’re both on balmy Little Crescent Island for the same reason: To write the biography of a woman no one has seen in years--or at least to meet with the octogenarian who claims to be the Margaret Ives. Tragic heiress, former tabloid princess, and daughter of one of the most storied (and scandalous) families of the 20th Century. When Margaret invites them both for a one-month trial period, after which she’ll choose the person who’ll tell her story, there are three things keeping Alice’s head in the game. One: Alice genuinely likes people, which means people usually like Alice—and she has a whole month to win the legendary woman over. Two: She’s ready for this job and the chance to impress her perennially unimpressed family with a Serious Publication Three: Hayden Anderson, who should have no reason to be concerned about losing this book, is glowering at her in a shaken-to-the core way that suggests he sees her as competition. But the problem is, Margaret is only giving each of them pieces of her story. Pieces they can’t swap to put together because of an ironclad NDA and an inconvenient yearning pulsing between them every time they’re in the same room. And it’s becoming abundantly clear that their story—just like the tale Margaret’s spinning—could be a mystery, tragedy, or love ballad…depending on who’s telling it.
