Age: 71
male
Mark Boone Junior (born March 17, 1955) is an American actor perhaps best known for his roles as Bobby Munson in FX's Sons of Anarchy and in two films by Christopher Nolan, Memento and Batman Begins. He frequently portrays a crooked cop or other authority figure, and has had a prolific career, appearing in over 70 movies, which also include 2 Fast 2 Furious, Get Carter, The General's Daughter, The Thin Red Line, Seven, and Die Hard 2. He has also made guest appearances on TV in Law & Order, Seinfeld, Curb Your Enthusiasm, and several other shows. He had a one-second appearance as "New York Guy" in Armageddon when Eddie Griffin's character asked him what the news on TV was all about. Boone started his career beside long time friend Steve Buscemi. Together the two provided audiences in the New York and Jersey area with stand up comedy. He has appeared in some of Steve's directorial work, including Trees Lounge and most recently (2004) as "Evil" in Lonesome Jim. He is a regular cast member on Sons of Anarchy, where he plays Bobby Munson. In 2010 he played the role of Vincent Dooly's father in The Mother of Invention. Boone has written and produced some films of his own. He currently resides in Isla Vista, California.
Mark Boone Junior
Lenn Stirling
for Lenn Stirling in Great Big Beautiful Life
Suggested by vzzzzzzz
Alice Scott is an eternal optimist still dreaming of her big writing break. Hayden Anderson is a Pulitzer-prize winning human thundercloud. And they’re both on balmy Little Crescent Island for the same reason: To write the biography of a woman no one has seen in years--or at least to meet with the octogenarian who claims to be the Margaret Ives. Tragic heiress, former tabloid princess, and daughter of one of the most storied (and scandalous) families of the 20th Century. When Margaret invites them both for a one-month trial period, after which she’ll choose the person who’ll tell her story, there are three things keeping Alice’s head in the game. One: Alice genuinely likes people, which means people usually like Alice—and she has a whole month to win the legendary woman over. Two: She’s ready for this job and the chance to impress her perennially unimpressed family with a Serious Publication Three: Hayden Anderson, who should have no reason to be concerned about losing this book, is glowering at her in a shaken-to-the core way that suggests he sees her as competition. But the problem is, Margaret is only giving each of them pieces of her story. Pieces they can’t swap to put together because of an ironclad NDA and an inconvenient yearning pulsing between them every time they’re in the same room. And it’s becoming abundantly clear that their story—just like the tale Margaret’s spinning—could be a mystery, tragedy, or love ballad…depending on who’s telling it.
