Age: 76
female
Mary Elizabeth 'Sissy' Spacek (born December 25, 1949) is an American actress and singer. She is the recipient of numerous accolades, including an Academy Award, three Golden Globe Awards, a Screen Actors Guild Award, and nominations for four British Academy Film Awards, three Primetime Emmy Awards, and a Grammy Award. Spacek was honored with a star on the Hollywood Walk of Fame in 2011. Born and raised in Texas, she initially aspired to a career as a recording artist. In 1968, at age 18, she recorded a single, "John, You Went Too Far This Time," under the name Rainbo. She began her professional acting career in the early 1970s, making her debut as an extra in Andy Warhol's Women in Revolt (1971). Her breakout role came with Terrence Malick's influential crime film Badlands (1973), which earned her a nomination for the British Academy Film Award for Most Promising Newcomer to Leading Film Roles. She rose to international prominence with her portrayal of Carrie White in Brian De Palma's horror film Carrie (1976), for which she received her first nomination for the Academy Award for Best Actress. After appearing in the acclaimed films Welcome to L.A. (1976) and Robert Altman's 3 Women (1977), she won the Academy Award for Best Actress for her portrayal of Loretta Lynn in the biographical musical film Coal Miner's Daughter (1980). Her other Oscar-nominated roles include Missing (1982), The River (1984), Crimes of the Heart (1986), and In the Bedroom (2001). Her other prominent films include Raggedy Man (1981), JFK (1991), Affliction (1997), The Straight Story (1999), Tuck Everlasting (2002), Nine Lives (2005), North Country (2005), Four Christmases (2008), Get Low (2010), The Help (2011), and The Old Man & the Gun (2018). She received Primetime Emmy Award nominations for the television films The Good Old Boys (1995) and Last Call (2002), and for her guest role on the HBO drama series Big Love (2011). She portrayed matriarch Sally Rayburn on the Netflix drama thriller series Bloodline (2015–2017), Ruth Deaver on the Hulu psychological horror series Castle Rock (2018), and Ellen Bergman on the Amazon Prime Video psychological thriller series Homecoming (2018). She has also ventured into music, and recorded vocals for the soundtrack album of Coal Miner's Daughter, which peaked at number two on the Billboard Top Country Albums Chart and garnered her a nomination for the Grammy Award for Best Female Country Vocal Performance. She released a studio album, Hangin' Up My Heart (1983), which was critically well-received and peaked at number 17 on Billboard Top Country Albums chart.
Sissy Spacek
Laura Rose Ives (Old Age)
for Laura Rose Ives (Old Age) in Great Big Beautiful Life
Suggested by jessicay
Alice Scott is an eternal optimist still dreaming of her big writing break. Hayden Anderson is a Pulitzer-prize winning human thundercloud. And they’re both on balmy Little Crescent Island for the same reason: To write the biography of a woman no one has seen in years--or at least to meet with the octogenarian who claims to be the Margaret Ives. Tragic heiress, former tabloid princess, and daughter of one of the most storied (and scandalous) families of the 20th Century. When Margaret invites them both for a one-month trial period, after which she’ll choose the person who’ll tell her story, there are three things keeping Alice’s head in the game. One: Alice genuinely likes people, which means people usually like Alice—and she has a whole month to win the legendary woman over. Two: She’s ready for this job and the chance to impress her perennially unimpressed family with a Serious Publication Three: Hayden Anderson, who should have no reason to be concerned about losing this book, is glowering at her in a shaken-to-the core way that suggests he sees her as competition. But the problem is, Margaret is only giving each of them pieces of her story. Pieces they can’t swap to put together because of an ironclad NDA and an inconvenient yearning pulsing between them every time they’re in the same room. And it’s becoming abundantly clear that their story—just like the tale Margaret’s spinning—could be a mystery, tragedy, or love ballad…depending on who’s telling it.
