Age: 38
male
Thomas Andrew Felton (born September 22, 1987) is an English actor who played Draco Malfoy in the film adaptations of the best-selling Harry Potter fantasy novels by J. K. Rowling. Born in Surrey, Felton began appearing in commercials and made his screen debut in the role of Peagreen Clock in The Borrowers (1997). He portrayed Louis T. Leonowens in Anna and the King (1999) before being cast in Harry Potter and the Philosopher's Stone (2001). Felton appeared in seven sequels until the final film, Harry Potter and the Deathly Hallows – Part 2 (2011). Felton appeared in the sci-fi film Rise of the Planet of the Apes (2011). He was subsequently cast in indie films From the Rough (2011) and The Apparition (2012). Felton starred as Viscount Trencavel in the historical miniseries Labyrinth and as James Ashford in the period drama Belle (2013), which released to critical acclaim. In 2015, he reoccured as a murder suspect in TNT's Murder in the First. Felton appeared in Message from the King and A United Kingdom, which premiered at the 2016 Toronto International Film Festival. He portrayed Doctor Alchemy on The CW's The Flash, based on the comic books of the same name. Felton co-starred in drama film Feed (2017), action-thriller Stratton (2017), and biographical film Megan Leavey (2017). Felton was a series regular on the 2018 sci-fi series Origin and appeared as Laertes in Claire McCarthy's Ophelia (2018), both to critical praise. Felton portrayed the villain in family-horror A Babysitter's Guide to Monster Hunting (2020).
Tom Felton
Hayden Anderson
for Hayden Anderson in Great Big Beautiful Life
Suggested by shannonmurphy
Alice Scott is an eternal optimist still dreaming of her big writing break. Hayden Anderson is a Pulitzer-prize winning human thundercloud. And they’re both on balmy Little Crescent Island for the same reason: To write the biography of a woman no one has seen in years--or at least to meet with the octogenarian who claims to be the Margaret Ives. Tragic heiress, former tabloid princess, and daughter of one of the most storied (and scandalous) families of the 20th Century. When Margaret invites them both for a one-month trial period, after which she’ll choose the person who’ll tell her story, there are three things keeping Alice’s head in the game. One: Alice genuinely likes people, which means people usually like Alice—and she has a whole month to win the legendary woman over. Two: She’s ready for this job and the chance to impress her perennially unimpressed family with a Serious Publication Three: Hayden Anderson, who should have no reason to be concerned about losing this book, is glowering at her in a shaken-to-the core way that suggests he sees her as competition. But the problem is, Margaret is only giving each of them pieces of her story. Pieces they can’t swap to put together because of an ironclad NDA and an inconvenient yearning pulsing between them every time they’re in the same room. And it’s becoming abundantly clear that their story—just like the tale Margaret’s spinning—could be a mystery, tragedy, or love ballad…depending on who’s telling it.
