Age: 36
male
Aaron Perry Taylor-Johnson (né Johnson; born 13 June 1990) is a British actor. His accolades include a Golden Globe Award, in addition to nominations for two British Academy Film Awards and a British Independent Film Award. As a child actor, Taylor-Johnson performed in films including Shanghai Knights (2003), The Illusionist (2006), and Angus, Thongs and Perfect Snogging (2008). He had his breakthrough performance as John Lennon in the biopic Nowhere Boy (2009), directed by Sam Taylor-Wood, whom he married in 2012, adding her surname. He gained recognition for his portrayal of the title character in Kick-Ass (2010) and its sequel, Kick-Ass 2 (2013), as well as for performances in the crime thriller Savages (2012), the period drama Anna Karenina (2012), and the monster film Godzilla (2014). Taylor-Johnson next portrayed the Marvel Cinematic Universe character Pietro Maximoff in Avengers: Age of Ultron (2015). For playing a psychopathic drifter in the thriller film Nocturnal Animals (2016), he won the Golden Globe Award for Best Supporting Actor. He has since appeared in the action films Tenet (2020), Bullet Train (2022) and The Fall Guy (2024), as well as starring roles in the horror films Nosferatu (2024) and 28 Years Later (2025). Description above from the Wikipedia article Aaron Taylor-Johnson, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Aaron Taylor-Johnson
Hayden Anderson
for Hayden Anderson in Great Big Beautiful Life
Suggested by vzzzzzzz
Alice Scott is an eternal optimist still dreaming of her big writing break. Hayden Anderson is a Pulitzer-prize winning human thundercloud. And they’re both on balmy Little Crescent Island for the same reason: To write the biography of a woman no one has seen in years--or at least to meet with the octogenarian who claims to be the Margaret Ives. Tragic heiress, former tabloid princess, and daughter of one of the most storied (and scandalous) families of the 20th Century. When Margaret invites them both for a one-month trial period, after which she’ll choose the person who’ll tell her story, there are three things keeping Alice’s head in the game. One: Alice genuinely likes people, which means people usually like Alice—and she has a whole month to win the legendary woman over. Two: She’s ready for this job and the chance to impress her perennially unimpressed family with a Serious Publication Three: Hayden Anderson, who should have no reason to be concerned about losing this book, is glowering at her in a shaken-to-the core way that suggests he sees her as competition. But the problem is, Margaret is only giving each of them pieces of her story. Pieces they can’t swap to put together because of an ironclad NDA and an inconvenient yearning pulsing between them every time they’re in the same room. And it’s becoming abundantly clear that their story—just like the tale Margaret’s spinning—could be a mystery, tragedy, or love ballad…depending on who’s telling it.
