Age: 39
male
Oliver Mansour Jackson-Cohen (born 24 October 1986) is an English actor. He is best known for playing Luke Crain in 'The Haunting of Hill House' and Peter Quint in 'The Haunting of Bly Manor', a Netflix original anthology series. Jackson-Cohen was born in London, son of David Cohen, a fashion designer and Betty Jackson. He studied at Lycée Français Charles de Gaulle, located in London and at the Youngblood Theater Company on weekends. His first television role came when he was just 14 years old in the series 'Hollyoaks' as Jean-Pierre and later appeared in another television series 'The Time of Your Life' as Marcus in 2007. In 2008 he played Phillip White in the BBC series 'Lark Rise to Candleford' as Philip White Oliver Cohen portrayed Damon in the 2010 film 'Going the Distance' also starring Drew Barrymore and Justin Long. Currently, one of his most notable works is in the film 'Faster' playing a murderer beside Dwayne Johnson and Billy Bob Thornton. Between 2002 and 2023, Cohen managed to build a very remarkable career in television, cinema and streaming, having around 26 credits and counting, including series, limited series, films and short films.
Oliver Jackson-Cohen
Frederick Ives
for Frederick Ives in Great Big Beautiful Life
Suggested by raineneal
Alice Scott is an eternal optimist still dreaming of her big writing break. Hayden Anderson is a Pulitzer-prize winning human thundercloud. And they’re both on balmy Little Crescent Island for the same reason: To write the biography of a woman no one has seen in years--or at least to meet with the octogenarian who claims to be the Margaret Ives. Tragic heiress, former tabloid princess, and daughter of one of the most storied (and scandalous) families of the 20th Century. When Margaret invites them both for a one-month trial period, after which she’ll choose the person who’ll tell her story, there are three things keeping Alice’s head in the game. One: Alice genuinely likes people, which means people usually like Alice—and she has a whole month to win the legendary woman over. Two: She’s ready for this job and the chance to impress her perennially unimpressed family with a Serious Publication Three: Hayden Anderson, who should have no reason to be concerned about losing this book, is glowering at her in a shaken-to-the core way that suggests he sees her as competition. But the problem is, Margaret is only giving each of them pieces of her story. Pieces they can’t swap to put together because of an ironclad NDA and an inconvenient yearning pulsing between them every time they’re in the same room. And it’s becoming abundantly clear that their story—just like the tale Margaret’s spinning—could be a mystery, tragedy, or love ballad…depending on who’s telling it.
