Age: 41
female
Ashley Michelle Tisdale-French (née Tisdale; born July 2, 1985) is an American actress, singer, and producer. Ashley Michelle French (née Tisdale) is from West Deal, New Jersey. During her childhood, she appeared in more than 100 TV advertisements and had roles in theatre and television shows. In 2004, she was cast as Maddie Fitzpatrick in Disney Channel's The Suite Life of Zack & Cody, and rose to prominence in 2006 as Sharpay Evans in the television film High School Musical. The High School Musical series included three films and the spin-off Sharpay's Fabulous Adventure (2011). Tisdale's resultant popularity led her to sign a record deal with Warner Bros. Records in 2006. Her debut album, Headstrong (2007), was certified gold by the Recording Industry Association of America (RIAA) and features the single "He Said She Said". Two years later, Tisdale released her second studio album, Guilty Pleasure. In 2013, she returned to music with her first indie album titled Symptoms.
Ashley Tisdale-French
Francine Ives
for Francine Ives in Great Big Beautiful Life
Suggested by vzzzzzzz
Alice Scott is an eternal optimist still dreaming of her big writing break. Hayden Anderson is a Pulitzer-prize winning human thundercloud. And they’re both on balmy Little Crescent Island for the same reason: To write the biography of a woman no one has seen in years--or at least to meet with the octogenarian who claims to be the Margaret Ives. Tragic heiress, former tabloid princess, and daughter of one of the most storied (and scandalous) families of the 20th Century. When Margaret invites them both for a one-month trial period, after which she’ll choose the person who’ll tell her story, there are three things keeping Alice’s head in the game. One: Alice genuinely likes people, which means people usually like Alice—and she has a whole month to win the legendary woman over. Two: She’s ready for this job and the chance to impress her perennially unimpressed family with a Serious Publication Three: Hayden Anderson, who should have no reason to be concerned about losing this book, is glowering at her in a shaken-to-the core way that suggests he sees her as competition. But the problem is, Margaret is only giving each of them pieces of her story. Pieces they can’t swap to put together because of an ironclad NDA and an inconvenient yearning pulsing between them every time they’re in the same room. And it’s becoming abundantly clear that their story—just like the tale Margaret’s spinning—could be a mystery, tragedy, or love ballad…depending on who’s telling it.
