Age: 63
male
Robert John Odenkirk (born October 22, 1962) is an American actor, comedian, and filmmaker best known for his role as Saul Goodman on Breaking Bad (2008–2013) and its spin-off Better Call Saul (2015–2022). For the latter, he has received five nominations for Primetime Emmy Award for Outstanding Lead Actor in a Drama Series. As a producer on Better Call Saul since its premiere, he has also received six nominations for Primetime Emmy Award for Outstanding Drama Series. He is also known for the HBO sketch comedy series Mr. Show with Bob and David (1995–1998), which he co-created and co-starred in with fellow comic David Cross. In 2015, he and Cross reunited, along with the rest of the Mr. Show cast, for W/ Bob & David on Netflix. Odenkirk wrote for television series Saturday Night Live (1987–1991) and The Ben Stiller Show (1992), winning Emmy Award for Outstanding Writing for a Variety Series in 1989 and 1993. He also wrote for Late Night with Conan O'Brien (1993–1994) and acted in a recurring role as Agent Stevie Grant in The Larry Sanders Show (1993–1998). In the early 2000s, Odenkirk discovered the comedy duo Tim & Eric. He produced their television series Tom Goes to the Mayor (2004–2006) and Tim and Eric Awesome Show, Great Job! (2007–2010). His feature directorial credits include the films Melvin Goes to Dinner (2003), Let's Go to Prison (2006), and The Brothers Solomon (2007). The success of Breaking Bad and Better Call Saul led to acting work in high-profile projects such as Nebraska (2013), the first season of Fargo (2014), Steven Spielberg's The Post (2017), Pixar's Incredibles 2 (2018), Little Women (2019) and, as the lead, the action film Nobody (2021), which he also produced. Description above from the Wikipedia article Bob Odenkirk, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Bob Odenkirk
Captain Ralph
for Captain Ralph in Great Big Beautiful Life
Suggested by vzzzzzzz
Alice Scott is an eternal optimist still dreaming of her big writing break. Hayden Anderson is a Pulitzer-prize winning human thundercloud. And they’re both on balmy Little Crescent Island for the same reason: To write the biography of a woman no one has seen in years--or at least to meet with the octogenarian who claims to be the Margaret Ives. Tragic heiress, former tabloid princess, and daughter of one of the most storied (and scandalous) families of the 20th Century. When Margaret invites them both for a one-month trial period, after which she’ll choose the person who’ll tell her story, there are three things keeping Alice’s head in the game. One: Alice genuinely likes people, which means people usually like Alice—and she has a whole month to win the legendary woman over. Two: She’s ready for this job and the chance to impress her perennially unimpressed family with a Serious Publication Three: Hayden Anderson, who should have no reason to be concerned about losing this book, is glowering at her in a shaken-to-the core way that suggests he sees her as competition. But the problem is, Margaret is only giving each of them pieces of her story. Pieces they can’t swap to put together because of an ironclad NDA and an inconvenient yearning pulsing between them every time they’re in the same room. And it’s becoming abundantly clear that their story—just like the tale Margaret’s spinning—could be a mystery, tragedy, or love ballad…depending on who’s telling it.
