Age: 79
male
Jonathan Banks (born January 31, 1947) is an American character actor in film and television. Banks dropped out of Indiana University to join a touring company as a stage manager. He went to Australia with the company and stayed on working in theatre there. In 1974, he moved to Los Angeles and performed on stage before picking up bit parts on television. Probably his best-known movie roles are in two films starring Eddie Murphy: 48 Hrs. and Beverly Hills Cop. In 48 Hrs. he plays a character who is a friend of the lead and is killed by the villain, beginning the lead characters' story. In Beverly Hills Cop, he plays a villain who kills the lead characters' friend and begins his story. Other movie roles include appearances in Armed and Dangerous, Freejack, Flipper, Airplane!, Gremlins, Murder Me, Murder You, and Under Siege 2: Dark Territory. His biggest break on television, came with the series Wiseguy, in which he played Frank McPike for four years, a role which led to an Emmy award nomination. Although his character was primarily the hero's mentor, stories occasionally featured McPike as hero. In 1981 he appeared as Dutch Schultz on the NBC series the Gangster Chronicles. He also starred on the short-lived science fiction TV series Otherworld, as Kommander Neveen Kroll and in the sitcom Fired Up. Banks has also made guest appearances on TV shows including Alias, CSI, Day Break, Highlander: The Series, Matlock, SeaQuest DSV, Star Trek: Deep Space Nine, Women of the House and Walker Texas Ranger. Most recently, Banks appeared in the final Season Two episodes of Dexter, and in episodes of ER, Cold Case, and Shark, Modern Family. In the second season finale of Breaking Bad, Banks appeared as a mysterious character named Mike. Banks was made a series regular for the third season.
Jonathan Banks
Captain Cecil Wainwright
for Captain Cecil Wainwright in Great Big Beautiful Life
Suggested by vzzzzzzz
Alice Scott is an eternal optimist still dreaming of her big writing break. Hayden Anderson is a Pulitzer-prize winning human thundercloud. And they’re both on balmy Little Crescent Island for the same reason: To write the biography of a woman no one has seen in years--or at least to meet with the octogenarian who claims to be the Margaret Ives. Tragic heiress, former tabloid princess, and daughter of one of the most storied (and scandalous) families of the 20th Century. When Margaret invites them both for a one-month trial period, after which she’ll choose the person who’ll tell her story, there are three things keeping Alice’s head in the game. One: Alice genuinely likes people, which means people usually like Alice—and she has a whole month to win the legendary woman over. Two: She’s ready for this job and the chance to impress her perennially unimpressed family with a Serious Publication Three: Hayden Anderson, who should have no reason to be concerned about losing this book, is glowering at her in a shaken-to-the core way that suggests he sees her as competition. But the problem is, Margaret is only giving each of them pieces of her story. Pieces they can’t swap to put together because of an ironclad NDA and an inconvenient yearning pulsing between them every time they’re in the same room. And it’s becoming abundantly clear that their story—just like the tale Margaret’s spinning—could be a mystery, tragedy, or love ballad…depending on who’s telling it.
