Age: 72
male
John Gavin Malkovich (born December 9, 1953) is an American actor. He has received several accolades, including a Primetime Emmy Award and nominations for two Academy Awards, a BAFTA Award, two Screen Actors Guild Awards, and three Golden Globe Awards. Malkovich started his career as a charter member of the Steppenwolf Theatre Company in Chicago in 1976. He moved to New York City, acting in a Steppenwolf production of the Sam Shepard play True West (1980). He made his Broadway debut as Biff in the revival of the Arthur Miller play Death of a Salesman (1984). He directed the Harold Pinter play The Caretaker(1986) and acted in Lanford Wilson's Burn This(1987). Malkovich has received two Academy Awards for Best Supporting Actor nominations for his performances in Places in the Heart (1984) and In the Line of Fire (1993). Other films include The Killing Fields (1984), Empire of the Sun (1987), Dangerous Liaisons (1988), Of Mice and Men (1992), Con Air (1997), Rounders (1998), Being John Malkovich (1999), Shadow of the Vampire (2000), Ripley's Game (2002), Johnny English (2003), Burn After Reading (2008), and Red (2010). He has also produced films such as Ghost World (2001), Juno (2007), and The Perks of Being a Wallflower (2012). For his work on television, he received the Primetime Emmy Award for Outstanding Supporting Actor in a Limited Series or Movie for Death of a Salesman (1985). His other Emmy-nominated roles were for portraying Herman J. Mankiewicz in RKO 281 (1999) and Charles Talleyrand in Napoléon (2002). Other television roles include Crossbones (2014), Billions (2018–19), The New Pope (2020), and Space Force (2020–2022).
John Malkovich
Captain Cecil Wainwright
for Captain Cecil Wainwright in Great Big Beautiful Life
Suggested by vzzzzzzz
Alice Scott is an eternal optimist still dreaming of her big writing break. Hayden Anderson is a Pulitzer-prize winning human thundercloud. And they’re both on balmy Little Crescent Island for the same reason: To write the biography of a woman no one has seen in years--or at least to meet with the octogenarian who claims to be the Margaret Ives. Tragic heiress, former tabloid princess, and daughter of one of the most storied (and scandalous) families of the 20th Century. When Margaret invites them both for a one-month trial period, after which she’ll choose the person who’ll tell her story, there are three things keeping Alice’s head in the game. One: Alice genuinely likes people, which means people usually like Alice—and she has a whole month to win the legendary woman over. Two: She’s ready for this job and the chance to impress her perennially unimpressed family with a Serious Publication Three: Hayden Anderson, who should have no reason to be concerned about losing this book, is glowering at her in a shaken-to-the core way that suggests he sees her as competition. But the problem is, Margaret is only giving each of them pieces of her story. Pieces they can’t swap to put together because of an ironclad NDA and an inconvenient yearning pulsing between them every time they’re in the same room. And it’s becoming abundantly clear that their story—just like the tale Margaret’s spinning—could be a mystery, tragedy, or love ballad…depending on who’s telling it.
