Age: 86
male
James Oliver Cromwell (born January 27, 1940) is an American film and television actor. He is best known for his role as Dr. Zefram Cochrane in “Star Trek: First Contact,” as well as his roles in “Babe,” “L.A. Confidential,” and “Spider-Man 3.” He has been nominated for an Oscar, three Emmy Awards, and four Screen Actors Guild Awards during his career. Cromwell was born in Los Angeles, California and was raised in Manhattan, New York. He was adopted by actress Kay Johnson and actor, director and producer John Cromwell, who was blacklisted during the McCarthy era. He was educated at The Hill School, Middlebury College and Carnegie Institute of Technology (now Carnegie Mellon University), where he studied engineering. Like both his parents, he was drawn to the theater, doing everything from Shakespeare to experimental plays. He has long been an advocate of leftist causes. In an October 2008 interview, he strongly attacked the Republican Party and the George W. Bush administration, saying their controversial foreign policy would "either destroy us or the entire planet." He became a vegetarian in 1974 after seeing a stockyard in Texas and experiencing the "smell, terror and anxiety." He became an ethical vegan while playing the character of Farmer Hoggett in the movie Babe in 1995. He frequently speaks out on issues regarding animal cruelty for PETA, largely the treatment of pigs. Cromwell was married to Anne Ulvestad from 1976 to 1986. They had three children. He married his second wife, Julie Cobb, on May 29, 1986.
James Cromwell
Captain Cecil Wainwright
for Captain Cecil Wainwright in Great Big Beautiful Life
Suggested by vzzzzzzz
Alice Scott is an eternal optimist still dreaming of her big writing break. Hayden Anderson is a Pulitzer-prize winning human thundercloud. And they’re both on balmy Little Crescent Island for the same reason: To write the biography of a woman no one has seen in years--or at least to meet with the octogenarian who claims to be the Margaret Ives. Tragic heiress, former tabloid princess, and daughter of one of the most storied (and scandalous) families of the 20th Century. When Margaret invites them both for a one-month trial period, after which she’ll choose the person who’ll tell her story, there are three things keeping Alice’s head in the game. One: Alice genuinely likes people, which means people usually like Alice—and she has a whole month to win the legendary woman over. Two: She’s ready for this job and the chance to impress her perennially unimpressed family with a Serious Publication Three: Hayden Anderson, who should have no reason to be concerned about losing this book, is glowering at her in a shaken-to-the core way that suggests he sees her as competition. But the problem is, Margaret is only giving each of them pieces of her story. Pieces they can’t swap to put together because of an ironclad NDA and an inconvenient yearning pulsing between them every time they’re in the same room. And it’s becoming abundantly clear that their story—just like the tale Margaret’s spinning—could be a mystery, tragedy, or love ballad…depending on who’s telling it.
