Age: 43
female
Kate Rooney Mara (born February 27, 1983) is an American actress. She is known for her work in television, playing reporter Zoe Barnes in the Netflix political drama House of Cards (2013–2014; 2016), computer analyst Shari Rothenberg in the Fox thriller series 24 (2006), wronged mistress Hayden McClaine in the FX miniseries American Horror Story: Murder House (2011), Patty Bowes in the first season of the FX drag ball culture drama series Pose (2018), and a teacher who begins an illicit relationship with an underage student in the FX miniseries A Teacher (2020). For the latter, she received an Independent Spirit Award nomination for Best New Scripted Series as an executive producer. Mara made her film debut in Random Hearts(1999). She has since appeared in Brokeback Mountain (2005), We Are Marshall (2006), Shooter (2007), Transsiberian (2008), Stone of Destiny (2008), The Open Road (2009), Transcendence (2014), The Martian (2015), Fantastic Four (2015), Morgan (2016), Megan Leavey (2017), My Days of Mercy (2017), and Chappaquiddick (2018). Description above from the Wikipedia article Kate Mara, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Alice Scott is an eternal optimist still dreaming of her big writing break. Hayden Anderson is a Pulitzer-prize winning human thundercloud. And they’re both on balmy Little Crescent Island for the same reason: To write the biography of a woman no one has seen in years--or at least to meet with the octogenarian who claims to be the Margaret Ives. Tragic heiress, former tabloid princess, and daughter of one of the most storied (and scandalous) families of the 20th Century. When Margaret invites them both for a one-month trial period, after which she’ll choose the person who’ll tell her story, there are three things keeping Alice’s head in the game. One: Alice genuinely likes people, which means people usually like Alice—and she has a whole month to win the legendary woman over. Two: She’s ready for this job and the chance to impress her perennially unimpressed family with a Serious Publication Three: Hayden Anderson, who should have no reason to be concerned about losing this book, is glowering at her in a shaken-to-the core way that suggests he sees her as competition. But the problem is, Margaret is only giving each of them pieces of her story. Pieces they can’t swap to put together because of an ironclad NDA and an inconvenient yearning pulsing between them every time they’re in the same room. And it’s becoming abundantly clear that their story—just like the tale Margaret’s spinning—could be a mystery, tragedy, or love ballad…depending on who’s telling it.
