Age: 52
female
Elizabeth Banks (born February 10, 1974) is an American actress, producer and director. She is known for playing Effie Trinket in The Hunger Games film series (2012–2015) and Gail Abernathy-McKadden in the Pitch Perfect film series (2012–2017). She made her directorial film debut with Pitch Perfect 2 (2015), whose $69 million opening-weekend gross set a record for a first-time director. She went on to direct, write, produce, and star in the action comedy film Charlie's Angels (2019). She also directed and produced the horror comedy film Cocaine Bear (2023). Banks founded the film and television production company Brownstone Productions in October 2002, with her husband Max Handelman. Banks made her film debut in the low-budget independent film Surrender Dorothy (1998). She has appeared in the films Wet Hot American Summer (2001), Sam Raimi's Spider-Man trilogy (2002–2007), The 40-Year-Old Virgin (2005), Invincible (2006), Zack and Miri Make a Porno (2008), Role Models (2008), The Next Three Days (2010), Man on a Ledge (2012), Movie 43 (2013), The Lego Movie (2014) and its 2019 sequel, Love & Mercy (2014), Walk of Shame (2014), Magic Mike XXL (2015), Power Rangers (2017), and The Beanie Bubble (2023).
Elizabeth Banks
Amelia (Lowe) Ives
for Amelia (Lowe) Ives in Great Big Beautiful Life
Suggested by vzzzzzzz
Alice Scott is an eternal optimist still dreaming of her big writing break. Hayden Anderson is a Pulitzer-prize winning human thundercloud. And they’re both on balmy Little Crescent Island for the same reason: To write the biography of a woman no one has seen in years--or at least to meet with the octogenarian who claims to be the Margaret Ives. Tragic heiress, former tabloid princess, and daughter of one of the most storied (and scandalous) families of the 20th Century. When Margaret invites them both for a one-month trial period, after which she’ll choose the person who’ll tell her story, there are three things keeping Alice’s head in the game. One: Alice genuinely likes people, which means people usually like Alice—and she has a whole month to win the legendary woman over. Two: She’s ready for this job and the chance to impress her perennially unimpressed family with a Serious Publication Three: Hayden Anderson, who should have no reason to be concerned about losing this book, is glowering at her in a shaken-to-the core way that suggests he sees her as competition. But the problem is, Margaret is only giving each of them pieces of her story. Pieces they can’t swap to put together because of an ironclad NDA and an inconvenient yearning pulsing between them every time they’re in the same room. And it’s becoming abundantly clear that their story—just like the tale Margaret’s spinning—could be a mystery, tragedy, or love ballad…depending on who’s telling it.
