Age: 35
female
Rachel Brosnahan (born July 12, 1990) is an American actress. She is best known for portraying an aspiring stand-up comedian in the Amazon Prime Video period comedy series The Marvellous Mrs. Maisel (2017–2023), for which she won a Primetime Emmy Award in 2018 and two consecutive Golden Globe Awards in 2018 and 2019.On television, she was Emmy-nominated for the political thriller series House of Cards (2013–2015) and acted in the drama series Manhattan (2014–2015). Brosnahan made her film debut in the horror film The Unborn (2009) and has acted in Beautiful Creatures (2013), Louder Than Bombs (2015), The Finest Hours (2016), Patriots Day (2016), Spies in Disguise (2019), The Courier (2020), and I'm Your Woman (2020). On stage, she made her Broadway debut in the 2013 revival of the Clifford Odets play The Big Knife. She played Desdemona in the 2016 off-Broadway production of Othello and returned to Broadway in the 2023 revival of the Lorraine Hansberry play The Sign in Sidney Brustein's Window. Description above from the Wikipedia article Rachel Brosnahan, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Rachel Brosnahan
Alice Scott
for Alice Scott in Great Big Beautiful Life
Suggested by jessicay
Alice Scott is an eternal optimist still dreaming of her big writing break. Hayden Anderson is a Pulitzer-prize winning human thundercloud. And they’re both on balmy Little Crescent Island for the same reason: To write the biography of a woman no one has seen in years--or at least to meet with the octogenarian who claims to be the Margaret Ives. Tragic heiress, former tabloid princess, and daughter of one of the most storied (and scandalous) families of the 20th Century. When Margaret invites them both for a one-month trial period, after which she’ll choose the person who’ll tell her story, there are three things keeping Alice’s head in the game. One: Alice genuinely likes people, which means people usually like Alice—and she has a whole month to win the legendary woman over. Two: She’s ready for this job and the chance to impress her perennially unimpressed family with a Serious Publication Three: Hayden Anderson, who should have no reason to be concerned about losing this book, is glowering at her in a shaken-to-the core way that suggests he sees her as competition. But the problem is, Margaret is only giving each of them pieces of her story. Pieces they can’t swap to put together because of an ironclad NDA and an inconvenient yearning pulsing between them every time they’re in the same room. And it’s becoming abundantly clear that their story—just like the tale Margaret’s spinning—could be a mystery, tragedy, or love ballad…depending on who’s telling it.
