Age: 36
female
Monica Maria Barbaro (/ˈbɑːrbəroʊ/; born June 17, 1990) is an American actress. She began training in ballet at an early age and earned a Bachelor of Fine Arts in dance from New York University. She began acting soon after college, taking on small roles in film and television in the 2010s, before her first major role in the second season of Unreal (2016), followed by further television roles in Chicago P.D. (2016–2017), Chicago Justice (2017), The Good Cop (2018), and Splitting Up Together (2018–2019). Her feature film debut was in the independent film The Cathedral (2021). Barbaro's breakthrough came with a supporting role in the action film Top Gun: Maverick (2022), which she followed with starring roles in the Netflix action comedy series FUBAR (2023–present) and as Joan Baez in the biopic A Complete Unknown (2024). For the latter, she was nominated for the SAG Award and Academy Award for Best Supporting Actress. Description above from the Wikipedia article Monica Barbaro, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Alice Scott is an eternal optimist still dreaming of her big writing break. Hayden Anderson is a Pulitzer-prize winning human thundercloud. And they’re both on balmy Little Crescent Island for the same reason: To write the biography of a woman no one has seen in years--or at least to meet with the octogenarian who claims to be the Margaret Ives. Tragic heiress, former tabloid princess, and daughter of one of the most storied (and scandalous) families of the 20th Century. When Margaret invites them both for a one-month trial period, after which she’ll choose the person who’ll tell her story, there are three things keeping Alice’s head in the game. One: Alice genuinely likes people, which means people usually like Alice—and she has a whole month to win the legendary woman over. Two: She’s ready for this job and the chance to impress her perennially unimpressed family with a Serious Publication Three: Hayden Anderson, who should have no reason to be concerned about losing this book, is glowering at her in a shaken-to-the core way that suggests he sees her as competition. But the problem is, Margaret is only giving each of them pieces of her story. Pieces they can’t swap to put together because of an ironclad NDA and an inconvenient yearning pulsing between them every time they’re in the same room. And it’s becoming abundantly clear that their story—just like the tale Margaret’s spinning—could be a mystery, tragedy, or love ballad…depending on who’s telling it.
