Age: 35
female
Melissa Barrera Martínez (born 4 July 1990) is a Mexican actress, stage actress, singer-songwriter, producer, executive producer and activist. She began her career as the lead characters of Azteca's Mexican telenovelas as the humble and kind village girl Olvido Pérez in Siempre tuya Acapulco (2014) and as struggling hard working woman Mía González in Tanto amor (2015), then joining in as socialite Isabel Cantú in the third season of the Netflix original series Club de Cuervos (2017). Barrera transitioned to Hollywood in 2018, earning recognition playing the sexually liberated and free spirited vegan woman Lyn Hernandez in the Starz comedy-drama series Vida (2018–2020). For playing Sam Carpenter in the slasher films Scream (2022) and Scream VI (2023), as well as leading the horror-comedies as the former millitary nurse and drug addict Joey in Abigail and aspiring breast cancer survivor stage actress Laura Franco in Your Monster (both 2024), she established herself as a scream queen. She is a 3-time Imagen Award nominee, and her accolades include a Satellite Award nomination for playing hairstylist Vanessa Morales in the 2021 movie adaption of Lin-Manuel Miranda’s musical In the Heights. Description above from the Wikipedia article Melissa Barrera, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Melissa Barrera
Alice Scott
for Alice Scott in Great Big Beautiful Life
Suggested by hivaerika
Alice Scott is an eternal optimist still dreaming of her big writing break. Hayden Anderson is a Pulitzer-prize winning human thundercloud. And they’re both on balmy Little Crescent Island for the same reason: To write the biography of a woman no one has seen in years--or at least to meet with the octogenarian who claims to be the Margaret Ives. Tragic heiress, former tabloid princess, and daughter of one of the most storied (and scandalous) families of the 20th Century. When Margaret invites them both for a one-month trial period, after which she’ll choose the person who’ll tell her story, there are three things keeping Alice’s head in the game. One: Alice genuinely likes people, which means people usually like Alice—and she has a whole month to win the legendary woman over. Two: She’s ready for this job and the chance to impress her perennially unimpressed family with a Serious Publication Three: Hayden Anderson, who should have no reason to be concerned about losing this book, is glowering at her in a shaken-to-the core way that suggests he sees her as competition. But the problem is, Margaret is only giving each of them pieces of her story. Pieces they can’t swap to put together because of an ironclad NDA and an inconvenient yearning pulsing between them every time they’re in the same room. And it’s becoming abundantly clear that their story—just like the tale Margaret’s spinning—could be a mystery, tragedy, or love ballad…depending on who’s telling it.
