Age: 37
female
Emily Jean "Emma" Stone (born November 6, 1988) is an American actress and producer. She has won two Academy Awards, two BAFTA Awards, and two Golden Globe Awards. Her career began at Phoenix's Valley Youth Theatre with The Wind in the Willows (2000) and at fifteen, she moved to Los Angeles, debuting in an unsold television pilot, In Search of the New Partridge Family (2004). Stone gained recognition through teen comedies like Superbad (2007), Zombieland (2009), and Easy A (2010), her first starring role, earning a Golden Globe nomination for the latter. Her roles in Crazy, Stupid, Love (2011) and The Help (2011) highlighted her versatility, while The Amazing Spider-Man (2012) and its 2014 sequel elevated her global profile. Stone earned her first Oscar nomination for Birdman (2014), and won Best Actress for La La Land (2016) and Poor Things (2023); she has also earned nominations for The Favourite (2018) and Bugonia (2025). She starred in Battle of the Sexes (2017), Cruella (2021), and Maniac (2018). In 2020, she co-founded Fruit Tree, producing films Problemista (2023) and I Saw the TV Glow (2024). Stone's collaboration with Yorgos Lanthimos, inspired by her admiration for his films like The Lobster (2015) and Dogtooth (2009), spans The Favourite, Poor Things, and Kinds of Kindness (2024), and Bugonia. This partnership, driven by her trust in his vision, reflects her deliberate shift toward experimental cinema over mainstream Hollywood projects.
Emma Stone
Alice Scott
for Alice Scott in Great Big Beautiful Life
Suggested by katedayshuppert
Alice Scott is an eternal optimist still dreaming of her big writing break. Hayden Anderson is a Pulitzer-prize winning human thundercloud. And they’re both on balmy Little Crescent Island for the same reason: To write the biography of a woman no one has seen in years--or at least to meet with the octogenarian who claims to be the Margaret Ives. Tragic heiress, former tabloid princess, and daughter of one of the most storied (and scandalous) families of the 20th Century. When Margaret invites them both for a one-month trial period, after which she’ll choose the person who’ll tell her story, there are three things keeping Alice’s head in the game. One: Alice genuinely likes people, which means people usually like Alice—and she has a whole month to win the legendary woman over. Two: She’s ready for this job and the chance to impress her perennially unimpressed family with a Serious Publication Three: Hayden Anderson, who should have no reason to be concerned about losing this book, is glowering at her in a shaken-to-the core way that suggests he sees her as competition. But the problem is, Margaret is only giving each of them pieces of her story. Pieces they can’t swap to put together because of an ironclad NDA and an inconvenient yearning pulsing between them every time they’re in the same room. And it’s becoming abundantly clear that their story—just like the tale Margaret’s spinning—could be a mystery, tragedy, or love ballad…depending on who’s telling it.
