Age: 39
female
Emilia Isobel Euphemia Rose Clarke, MBE (born 23 October 1986), is an English actress. She is best known for her role as Daenerys Targaryen in the HBO fantasy series Game of Thrones (2011–2019), for which she received nominations for four Primetime Emmy Awards. She is also known for playing Sarah Connor in the science fiction film Terminator: Genisys (2015) and Qi'ra in the Star Wars film Solo: A Star Wars Story (2018), as well as starring in the romantic dramas Me Before You (2016) and Last Christmas (2019). Clarke studied at Drama Centre London, appearing in a number of stage productions. Her television debut was a guest appearance in the 2009 BBC One medical soap opera Doctors, at age 22. Clarke made her Broadway debut as Holly Golightly in the play Breakfast at Tiffany's (2013) and played Nina in a West End production of The Seagull that was suspended due to the COVID-19 lockdowns. She also had a role named G'iah in the Marvel Cinematic Universe miniseries, Secret Invasion (2023). Description above from the Wikipedia article Emilia Clarke, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Emilia Clarke
Alice Scott
for Alice Scott in Great Big Beautiful Life
Suggested by courtneybyrd
Alice Scott is an eternal optimist still dreaming of her big writing break. Hayden Anderson is a Pulitzer-prize winning human thundercloud. And they’re both on balmy Little Crescent Island for the same reason: To write the biography of a woman no one has seen in years--or at least to meet with the octogenarian who claims to be the Margaret Ives. Tragic heiress, former tabloid princess, and daughter of one of the most storied (and scandalous) families of the 20th Century. When Margaret invites them both for a one-month trial period, after which she’ll choose the person who’ll tell her story, there are three things keeping Alice’s head in the game. One: Alice genuinely likes people, which means people usually like Alice—and she has a whole month to win the legendary woman over. Two: She’s ready for this job and the chance to impress her perennially unimpressed family with a Serious Publication Three: Hayden Anderson, who should have no reason to be concerned about losing this book, is glowering at her in a shaken-to-the core way that suggests he sees her as competition. But the problem is, Margaret is only giving each of them pieces of her story. Pieces they can’t swap to put together because of an ironclad NDA and an inconvenient yearning pulsing between them every time they’re in the same room. And it’s becoming abundantly clear that their story—just like the tale Margaret’s spinning—could be a mystery, tragedy, or love ballad…depending on who’s telling it.
