Age: 38
male
Robert Patrick Amell IV (born April 21, 1988) is a Canadian-American actor and producer. He is best known for his roles as Stephen Jameson on The CW series The Tomorrow People (2013–2014), Ronnie Raymond / Firestorm on The CW series The Flash (2014–2017, 2022), and Nathan Brown in the Prime Video series Upload (2020–). Other roles include Fred Jones in the films Scooby-Doo! The Mystery Begins (2009) and Scooby-Doo! Curse of the Lake Monster (2010), The Hunters as Paxton Flynn (2013), The DUFF as Wesley Rush (2015), The Babysitter as Max (2017), and the science fiction film Code 8 as Connor Reed (2019); the latter of which also starred his cousin, Stephen Amell. He also appeared on television shows such as Life with Derek (2006–2008), True Jackson, VP (2008–2011), Unnatural History (2010), and Revenge (2011–2012). Description above from the Wikipedia article Robbie Amell, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Alice Scott is an eternal optimist still dreaming of her big writing break. Hayden Anderson is a Pulitzer-prize winning human thundercloud. And they’re both on balmy Little Crescent Island for the same reason: To write the biography of a woman no one has seen in years--or at least to meet with the octogenarian who claims to be the Margaret Ives. Tragic heiress, former tabloid princess, and daughter of one of the most storied (and scandalous) families of the 20th Century. When Margaret invites them both for a one-month trial period, after which she’ll choose the person who’ll tell her story, there are three things keeping Alice’s head in the game. One: Alice genuinely likes people, which means people usually like Alice—and she has a whole month to win the legendary woman over. Two: She’s ready for this job and the chance to impress her perennially unimpressed family with a Serious Publication Three: Hayden Anderson, who should have no reason to be concerned about losing this book, is glowering at her in a shaken-to-the core way that suggests he sees her as competition. But the problem is, Margaret is only giving each of them pieces of her story. Pieces they can’t swap to put together because of an ironclad NDA and an inconvenient yearning pulsing between them every time they’re in the same room. And it’s becoming abundantly clear that their story—just like the tale Margaret’s spinning—could be a mystery, tragedy, or love ballad…depending on who’s telling it.
