Age: 58
male
Daniel Wroughton Craig (born March 2, 1968) is an English actor. He gained international fame by playing the fictional secret agent James Bond for five installments in the film series: Casino Royale (2006), Quantum of Solace (2008), Skyfall (2012), Spectre (2015), and No Time to Die (2021). After training at the National Youth Theatre in London and graduating from the Guildhall School of Music and Drama in 1991, Craig began his career on stage. He began acting with the drama The Power of One (1992) and had his breakthrough role in the drama serial Our Friends in the North (1996). He gained prominence for his supporting roles in films such as Elizabeth (1998), Lara Croft: Tomb Raider (2001), Road to Perdition (2002), Layer Cake (2004), and Munich (2005). In 2006, Craig played Bond in Casino Royale, a reboot of the Bond franchise that was favourably received by critics and earned Craig a nomination for the BAFTA Award for Best Actor in a Leading Role. His non-Bond appearances since then include roles in the fantasy film The Golden Compass (2007), the drama Defiance (2008), the science fiction Western Cowboys & Aliens (2011), the mystery thriller The Girl with the Dragon Tattoo (2011), and the heist film Logan Lucky (2017). For his performance as Detective Benoit Blanc in the Knives Out film series (2019, 2022), he received two Golden Globe Award nominations. On stage, Craig starred in the Royal National Theatre's production of Angels in America (1993) on the West End. He made his Broadway debut in the play A Steady Rain (2009) and returned to Broadway in the revivals of Harold Pinter's Betrayal (2011) and William Shakespeare's Macbeth (2022). He starred as Iago in the New York Theatre Workshop production of Othello (2016).
Daniel Craig
Lawrence Ives
for Lawrence Ives in Great Big Beautiful Life
Suggested by user_81275
Alice Scott is an eternal optimist still dreaming of her big writing break. Hayden Anderson is a Pulitzer-prize winning human thundercloud. And they’re both on balmy Little Crescent Island for the same reason: To write the biography of a woman no one has seen in years--or at least to meet with the octogenarian who claims to be the Margaret Ives. Tragic heiress, former tabloid princess, and daughter of one of the most storied (and scandalous) families of the 20th Century. When Margaret invites them both for a one-month trial period, after which she’ll choose the person who’ll tell her story, there are three things keeping Alice’s head in the game. One: Alice genuinely likes people, which means people usually like Alice—and she has a whole month to win the legendary woman over. Two: She’s ready for this job and the chance to impress her perennially unimpressed family with a Serious Publication Three: Hayden Anderson, who should have no reason to be concerned about losing this book, is glowering at her in a shaken-to-the core way that suggests he sees her as competition. But the problem is, Margaret is only giving each of them pieces of her story. Pieces they can’t swap to put together because of an ironclad NDA and an inconvenient yearning pulsing between them every time they’re in the same room. And it’s becoming abundantly clear that their story—just like the tale Margaret’s spinning—could be a mystery, tragedy, or love ballad…depending on who’s telling it.
