Age: 49
male
Michael Fassbender (German pronunciation:[ˈmɪçaːʔeːl 'fasbɛndɐ]; born 2 April 1977) is a German-Irish actor. His accolades include nominations for two Academy Awards, four British Academy Film Awards and three Golden Globe Awards. In 2020, he was listed at number nine on The Irish Times list of Ireland's greatest film actors. After studying at the Drama Centre London, Fassbender made his feature film debut in 300 (2006). Early roles include the HBO miniseries Band of Brothers (2001) and the Sky One fantasy drama Hex (2004–2005). He first came to prominence playing Bobby Sands in the drama Hunger (2008). Subsequent roles include the 2009 films Fish Tank and Inglourious Basterds, and the 2011 films Jane Eyre and A Dangerous Method. He gained mainstream success for playing Erik Lehnsherr / Magneto in the X-Men series, and David 8 and Walter One in Prometheus (2012), and its sequel, Alien: Covenant (2017). For his portrayal of a addict in Steve McQueen's drama Shame (2011), he won the Volpi Cup for Best Actor. His portrayals of Edwin Epps in the historical drama 12 Years a Slave (2013) and the title role in biographical drama Steve Jobs (2015), respectively, earned him nominations for the Academy Award for Best Supporting Actor and Best Actor. Following further roles in the films The Counselor (2013), Frank (2014), and Macbeth (2015), he took an eight-year hiatus, during which he began competing in auto racing. After driving for Proton Competition in the European Le Mans Series in 2023, Fassbender made a return to acting with the action films The Killer (2023) and Black Bag (2025). Married to Swedish actress Alicia Vikander since 2017, he has two children. Description above from the Wikipedia article Michael Fassbender, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Michael Fassbender
Gerald Ives
for Gerald Ives in Great Big Beautiful Life
Suggested by user_81275
Alice Scott is an eternal optimist still dreaming of her big writing break. Hayden Anderson is a Pulitzer-prize winning human thundercloud. And they’re both on balmy Little Crescent Island for the same reason: To write the biography of a woman no one has seen in years--or at least to meet with the octogenarian who claims to be the Margaret Ives. Tragic heiress, former tabloid princess, and daughter of one of the most storied (and scandalous) families of the 20th Century. When Margaret invites them both for a one-month trial period, after which she’ll choose the person who’ll tell her story, there are three things keeping Alice’s head in the game. One: Alice genuinely likes people, which means people usually like Alice—and she has a whole month to win the legendary woman over. Two: She’s ready for this job and the chance to impress her perennially unimpressed family with a Serious Publication Three: Hayden Anderson, who should have no reason to be concerned about losing this book, is glowering at her in a shaken-to-the core way that suggests he sees her as competition. But the problem is, Margaret is only giving each of them pieces of her story. Pieces they can’t swap to put together because of an ironclad NDA and an inconvenient yearning pulsing between them every time they’re in the same room. And it’s becoming abundantly clear that their story—just like the tale Margaret’s spinning—could be a mystery, tragedy, or love ballad…depending on who’s telling it.
