Age: 47
female
Rachel Anne McAdams (born November 17, 1978) is a Canadian actress. After graduating from a theatre degree program at York University in 2001, she worked in Canadian television and film productions, such as the drama film Perfect Pie (2002), for which she received a Genie Award nomination, the comedy film My Name Is Tanino (2002), and the comedy series Slings & Arrows (2003–2005), for which she won a Gemini Award. In 2002, she made her Hollywood film debut in the comedy The Hot Chick. She rose to fame in 2004 with the comedy Mean Girls and the romantic drama The Notebook. In 2005, she starred in the romantic comedy Wedding Crashers, the psychological thriller Red Eye, and the comedy-drama The Family Stone. She was hailed by the media as Hollywood's new "it girl" and received a BAFTA Award nomination for Best Rising Star. After a hiatus, McAdams gained further prominence starring in the films The Time Traveller's Wife (2009), Sherlock Holmes (2009), Morning Glory (2010), Midnight in Paris (2011), The Vow (2012), and About Time (2013). For her portrayal of journalist Sacha Pfeiffer in the drama Spotlight (2015), she was nominated for the Academy Award for Best Supporting Actress. This was followed by roles in the superhero film Doctor Strange (2016) and its sequel Doctor Strange in the Multiverse of Madness (2022), the romantic drama Disobedience (2017), the comedies Game Night (2018) and Eurovision Song Contest: The Story of Fire Saga (2020), and the comedy-drama Are You There God? It's Me, Margaret. (2023). On television, she starred in the second season of the HBO anthology crime drama series True Detective (2015), earning a Critics' Choice Television Award for Best Actress in a Miniseries or Movie nomination. She made her Broadway debut in the Amy Herzog play Mary Jane (2024), for which she was nominated for a Tony Award. Description above from the Wikipedia article Rachel McAdams, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Rachel McAdams
Doris Bernhardt
for Doris Bernhardt in Great Big Beautiful Life
Suggested by user_81275
Alice Scott is an eternal optimist still dreaming of her big writing break. Hayden Anderson is a Pulitzer-prize winning human thundercloud. And they’re both on balmy Little Crescent Island for the same reason: To write the biography of a woman no one has seen in years--or at least to meet with the octogenarian who claims to be the Margaret Ives. Tragic heiress, former tabloid princess, and daughter of one of the most storied (and scandalous) families of the 20th Century. When Margaret invites them both for a one-month trial period, after which she’ll choose the person who’ll tell her story, there are three things keeping Alice’s head in the game. One: Alice genuinely likes people, which means people usually like Alice—and she has a whole month to win the legendary woman over. Two: She’s ready for this job and the chance to impress her perennially unimpressed family with a Serious Publication Three: Hayden Anderson, who should have no reason to be concerned about losing this book, is glowering at her in a shaken-to-the core way that suggests he sees her as competition. But the problem is, Margaret is only giving each of them pieces of her story. Pieces they can’t swap to put together because of an ironclad NDA and an inconvenient yearning pulsing between them every time they’re in the same room. And it’s becoming abundantly clear that their story—just like the tale Margaret’s spinning—could be a mystery, tragedy, or love ballad…depending on who’s telling it.
