
Age: 36
male
Taron David Egerton (/ˈɛdʒərtən/ EJ-ər-tən; born 10 November 1989) is a Welsh actor and singer. After graduating from the Royal Academy of Dramatic Art, he performed in stage plays before gaining recognition for his starring role as a spy in the action comedy films Kingsman: The Secret Service (2014) and Kingsman: The Golden Circle (2017). Egerton has starred in several biographical films, portraying military officer Edward Brittain in the drama Testament of Youth (2014), the titular ski-jumper in the sports film Eddie the Eagle (2016), and singer Elton John in the musical Rocketman (2019). The last of these earned him a Golden Globe Award for Best Actor. He also starred as Jimmy Keene in the miniseries Black Bird (2022), for which he was nominated for a Primetime Emmy Award, as Henk Rogers in the biopic Tetris (2023), and in the thriller film Carry-On (2024). Description above from the Wikipedia article Taron Egerton, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Taron Egerton

Cosmo Sinclair
for Cosmo Sinclair in Great Big Beautiful Life
Suggested by user_81275

Alice Scott is an eternal optimist still dreaming of her big writing break. Hayden Anderson is a Pulitzer-prize winning human thundercloud. And they’re both on balmy Little Crescent Island for the same reason: To write the biography of a woman no one has seen in years--or at least to meet with the octogenarian who claims to be the Margaret Ives. Tragic heiress, former tabloid princess, and daughter of one of the most storied (and scandalous) families of the 20th Century. When Margaret invites them both for a one-month trial period, after which she’ll choose the person who’ll tell her story, there are three things keeping Alice’s head in the game. One: Alice genuinely likes people, which means people usually like Alice—and she has a whole month to win the legendary woman over. Two: She’s ready for this job and the chance to impress her perennially unimpressed family with a Serious Publication Three: Hayden Anderson, who should have no reason to be concerned about losing this book, is glowering at her in a shaken-to-the core way that suggests he sees her as competition. But the problem is, Margaret is only giving each of them pieces of her story. Pieces they can’t swap to put together because of an ironclad NDA and an inconvenient yearning pulsing between them every time they’re in the same room. And it’s becoming abundantly clear that their story—just like the tale Margaret’s spinning—could be a mystery, tragedy, or love ballad…depending on who’s telling it.


