Age: 29
female
Hailee Steinfeld (born December 11, 1996) is an American actress and singer. She had her breakthrough with the western film True Grit (2010), which earned her various accolades, including nominations for an Academy Award and a BAFTA Award. Steinfeld gained wider recognition for her roles in the Pitch Perfect film series (2015–2017) and The Edge of Seventeen (2016), which earned her a Golden Globe nomination. She also starred in Ender's Game (2013), Begin Again (2013) and Bumblebee (2018). She voiced Gwen Stacy / Spider-Woman in Spider-Man: Into the Spider-Verse (2018) and its 2023 sequel, and Vi in the Netflix series Arcane (2021–2024). She portrayed Emily Dickinson in the Apple TV+ series Dickinson (2019–2021), and has portrayed Kate Bishop in the Marvel Cinematic Universe since 2021. Steinfeld gained recognition in music after performing "Flashlight" in Pitch Perfect 2 (2015), signing with Republic Records soon after and released her debut single, "Love Myself", followed by her debut EP Haiz (2015). She went on to release a series of successful singles, including "Starving", "Most Girls" and "Let Me Go". In 2020, she released her second EP, Half Written Story. Description above from the Wikipedia article Hailee Steinfeld, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Hailee Steinfeld
Alice Scott
for Alice Scott in Great Big Beautiful Life
Suggested by gurrlll
Alice Scott is an eternal optimist still dreaming of her big writing break. Hayden Anderson is a Pulitzer-prize winning human thundercloud. And they’re both on balmy Little Crescent Island for the same reason: To write the biography of a woman no one has seen in years--or at least to meet with the octogenarian who claims to be the Margaret Ives. Tragic heiress, former tabloid princess, and daughter of one of the most storied (and scandalous) families of the 20th Century. When Margaret invites them both for a one-month trial period, after which she’ll choose the person who’ll tell her story, there are three things keeping Alice’s head in the game. One: Alice genuinely likes people, which means people usually like Alice—and she has a whole month to win the legendary woman over. Two: She’s ready for this job and the chance to impress her perennially unimpressed family with a Serious Publication Three: Hayden Anderson, who should have no reason to be concerned about losing this book, is glowering at her in a shaken-to-the core way that suggests he sees her as competition. But the problem is, Margaret is only giving each of them pieces of her story. Pieces they can’t swap to put together because of an ironclad NDA and an inconvenient yearning pulsing between them every time they’re in the same room. And it’s becoming abundantly clear that their story—just like the tale Margaret’s spinning—could be a mystery, tragedy, or love ballad…depending on who’s telling it.
