Died at 90
male
Dennis Lee Hopper (May 17, 1936 – May 29, 2010) was an American actor, filmmaker and artist. As a young man, Hopper became interested in acting and eventually became a student of the Actors' Studio. He made his first television appearance in 1954, and appeared in two films featuring James Dean, Rebel Without a Cause (1955) and Giant (1956). During the next 10 years, Hopper appeared frequently on television in guest roles, and by the end of the 1960s had played supporting roles in several films. He directed and starred in Easy Rider (1969), winning an award at the Cannes Film Festival and was nominated for an Academy Award for Best Original Screenplay as co-writer. "With its portrait of counterculture heroes raising their middle fingers to the uptight middle-class hypocrisies, Easy Rider became the cinematic symbol of the 1960s, a celluloid anthem to freedom, macho bravado and anti-establishment rebellion." Film critic Matthew Hays notes that "no other persona better signifies the lost idealism of the 1960s than that of Dennis Hopper." He was unable to build on his success for several years, until a featured role in Apocalypse Now (1979) brought him attention. He subsequently appeared in Rumble Fish (1983) and The Osterman Weekend (1983), and received critical recognition for his work in Blue Velvet and Hoosiers, with the latter film garnering him an Academy Award nomination for Best Supporting Actor. He directed Colors (1988) and played the villain in Speed (1994). Hopper's later work included a leading role in the television series Crash. Hopper's last performance was filmed just before his death: The Last Film Festival, slated for a 2011 release. Hopper was also a prolific and acclaimed photographer, a profession he began in the 1960s. From Wikipedia, the free encyclopedia
Dennis Hopper
Trevor Phillips
for Trevor Phillips in Grand Theft Auto (1995)
Suggested by the_mush
Set in the sprawling excess of mid-1990s Los Santos, Grand Theft Auto follows a retired bank robber living under federal protection whose carefully constructed suburban life masks a growing dissatisfaction with comfort and anonymity. When a chance encounter with an ambitious young hustler reignites his appetite for risk, the two form an uneasy partnership built on opportunity and ego. Their plans begin small, but the lure of status and legacy pushes them toward increasingly dangerous territory. The fragile alliance is further complicated by the return of a volatile figure from the older man’s past, whose loyalty runs as deep as his instability. As the trio navigate high-stakes heists, corrupt officials, and powerful interests operating behind the scenes, personal ambition threatens to fracture what little trust exists between them. In a city driven by image and greed, the pursuit of one last triumph becomes a test of survival — and of how much each man is willing to sacrifice for control.
