Bullitt is a 1968 American neo-noir action thriller film[4] directed by Peter Yates and produced by Philip D'Antoni. The picture stars Steve McQueen, Robert Vaughn, Jacqueline Bisset, Don Gordon, Robert Duvall, Simon Oakland and Norman Fell.[5] The screenplay by Alan R. Trustman and Harry Kleiner was based on the 1963 novel Mute Witness,[6][7][8][9] by Robert L. Fish, writing under the pseudonym Robert L. Pike.[10][11] Lalo Schifrin wrote the original jazz-inspired score. The film was made by McQueen's Solar Productions company, with his partner Robert Relyea as executive producer. Released by Warner Bros.-Seven Arts on October 17, 1968, the film was a critical and box-office success, later winning the Academy Award for Best Film Editing (Frank P. Keller) and receiving a nomination for Best Sound. Writers Trustman and Kleiner won a 1969 Edgar Award from the Mystery Writers of America for Best Motion Picture Screenplay. Bullitt is famous for its car chase scene through the streets of San Francisco, which is regarded as one of the most influential in film history.[12][13][14][15] In 2007, Bullitt was selected for preservation in the United States National Film Registry by the Library of Congress, as "culturally, historically, or aesthetically significant".[16][17]
Bullitt
Influences:
for Influences: in Grand Theft Auto V (1960)
Suggested by ziyahuseynov2
Set in the 1960s, during a freezing Christmas night in the snow-covered town of Ludendorff, North Yankton, three criminals — Michael De Santa, Trevor Philips, and their partner Brad — carry out a dangerous bank robbery. The heist goes violently wrong. During the escape, both Brad and Michael are shot. Brad is left behind and presumed dead, while Michael secretly survives and vanishes from the criminal world. Years later in 1960s Los Santos, Michael lives under a false identity, far removed from his past life of crime. He resides in a luxury villa, drives expensive cars, and appears successful, yet his family life is slowly falling apart. Trapped in a hollow existence, Michael tries to stay out of the underworld — until he crosses paths with a young street hustler and car thief. Their meeting pulls Michael back into crime, and together they carry out a bold jewelry store robbery. The robbery makes the news and reaches the outskirts of Los Santos, where Michael’s former partner Trevor Philips lives in poverty and chaos. Now a psychotic drug dealer and arms trafficker running Trevor Philips Enterprises, Trevor survives on violence, paranoia, and pure madness. When he realizes that Michael is still alive, Trevor returns to Los Santos, dragging the past back with him and setting off a chain of betrayal, violence, and destruction that defines the brutal criminal underworld of the 1960s.
