Age: 60
male
Sean Harris (born 1966, Bethnal Green, London, England) is a British actor, best known for his film roles in 24 Hour Party People (2002), Prometheus (2012), The King (2019), The Green Knight (2021), Spencer (2021), The Stranger (2022), and the Mission: Impossible franchise (2015-2018). As a stage actor, Harris was a member of the Glasgow Citizens Theatre, where he performed in stage productions such as Tybalt in Romeo and Juliet directed by Giles Havergal and as Carino in Don Juan directed by Robert David MacDonald. He also appeared as Lysander in a production of A Midsummer Night's Dream, directed by Matthew Lloyd at the Haymarket Theatre (Leicester) and as Johnny in a Nottingham Playhouse production of Angels Rave On, directed by Jonathan Church. Harris won a British Academy Television Award for Best Actor for his role in the miniseries Southcliffe (2013) and received three consecutive BAFTA nominations for Best Supporting Actor for his roles in ‘71 (2014), Macbeth (2015), and Trespass Against Us (2016). Description above from the Wikipedia article Sean Harris, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Sean Harris
Mr. Hutter
for Mr. Hutter in Good Girl (2026 - Industrial Gothic Horror)
Suggested by kaueoliveira
In a decaying industrial city known only as "The Sprawl," soot stains the sky and the sun is rarely seen. Elara, a dutiful and repressed young librarian, spends her life caring for her dying father and keeping her head down. Her mundane life is interrupted when she discovers a century-old diary in the archives detailing a "plague of anemia" that once wiped out the city’s workforce. Simultaneously, the reclusive foreign industrialist Count Orlok arrives to reopen the abandoned steel mill, promising economic salvation. However, Orlok is not just a capitalist; he is an ancient parasite. He doesn't just drink blood; he feeds on the collective life force and misery of the city. As a mysterious wasting disease begins to claim the workers, Elara is drawn into Orlok’s orbit. He is fascinated by her "goodness" and purity, not to destroy it, but to corrupt it. Elara finds herself in a race to save her city, while fighting a terrifying, intoxicating attraction to the creature who promises to liberate her from her life of servitude.
