Age: 52
female
Lena Kathren Headey (born October 3, 1973) is a British actress. She gained international recognition and acclaim for her portrayal of Cersei Lannister on the HBO epic fantasy drama series Game of Thrones (2011–2019), for which she received five Primetime Emmy Award nominations and a Golden Globe Award nomination. Headey made her film debut in the mystery drama Waterland (1992). She continued to work steadily in British and American films and on television, before gaining further recognition with her lead performances in the films The Brothers Grimm (2005) and 300 (2007). Her other film credits include The Remains of the Day (1993), The Jungle Book (1994), Mrs Dalloway (1997), Ripley's Game (2002), Imagine Me & You (2005), Dredd (2012), The Purge (2013), 300: Rise of an Empire (2014), Pride and Prejudice and Zombies (2016), and Fighting with My Family (2019). Outside of film, Headey starred as Sarah Connor in the science fiction television series Terminator: The Sarah Connor Chronicles (2008–2009) and had a recurring role as Amelia Hughes in the animated web series Infinity Train (2019–2021). She provided voices for the role-playing video game Risen (2009) and the video game tie-in film Kingsglaive: Final Fantasy XV (2016), as well as the animated series Danger Mouse (2015–2017) and Trollhunters (2017–2018), and puppet-animated series The Dark Crystal: Age of Resistance (2019).
Lena Headey
Véronique Houllié
for Véronique Houllié in God of Carnage
Suggested by sepanta_kazemi
A minor playground scuffle brings two seemingly composed couples together for what should be a simple conversation. Alain and Annette Reille, polished, well-off, and determined to stay formal, arrive at the apartment of Véronique and Michel Houllié, who pride themselves on being rational, cultured, and morally grounded. The incident? Alain and Annette’s son, Ferdinand, struck Bruno, the Houlliés’ son, during an argument, leaving Bruno with a bruised lip and a damaged tooth. Nothing life-changing—at least, that’s what the adults keep telling themselves. At first, everyone speaks with polite smiles and careful restraint. Véronique tries to guide the conversation with intellectual calm, Michel hides his impatience behind casual humor, Alain remains half-distracted by work calls, and Annette struggles to keep her nerves steady. But beneath their smooth manners, tension stirs. What begins as a civil discussion about two boys becomes a slow-burning confrontation between four adults. Old frustrations slip into the room. Tone grows sharper. Small remarks ignite bigger reactions. Alliances shift, tempers rise, and the elegant living space turns into a battleground of pride, resentment, and unraveling composure. By the end of the afternoon, the fight between Ferdinand and Bruno seems almost innocent compared to the storm their parents unleash on one another.
