
Age: 51
male
David Kenneth Harbour (born April 10, 1975) is an American actor. He has received nominations for a Tony Award, a Golden Globe Award, and two Primetime Emmy Awards. David began his career acting in Shakespearean theatre productions. After his professional debut on Broadway in the 1999 revival of The Rainmaker, he was nominated for a Tony Award for his performance in a production of Who's Afraid of Virginia Woolf?. He made his television debut on Law & Order in 1999 and had supporting roles in films such as Brokeback Mountain (2005), Revolutionary Road (2008) and Black Mass (2015). Harbour gained global recognition for his portrayal of Jim Hopper in the Netflix science fiction series Stranger Things (2016–2025), for which he received a Critics' Choice Television Award as well as nominations for two Primetime Emmy Awards. His starring film roles include the title character in Hellboy (2019), Santa Claus in Violent Night (2022) and a former racer in the sports film Gran Turismo (2023). Harbour has played Red Guardian in the Marvel Cinematic Universe media franchise, beginning with the film Black Widow (2021). Description above from the Wikipedia article David Harbour, licensed under CC-BY-SA, full list of contributors on Wikipedia.

David Harbour

Michel Houllié
for Michel Houllié in God of Carnage
Suggested by sepanta_kazemi

A minor playground scuffle brings two seemingly composed couples together for what should be a simple conversation. Alain and Annette Reille, polished, well-off, and determined to stay formal, arrive at the apartment of Véronique and Michel Houllié, who pride themselves on being rational, cultured, and morally grounded. The incident? Alain and Annette’s son, Ferdinand, struck Bruno, the Houlliés’ son, during an argument, leaving Bruno with a bruised lip and a damaged tooth. Nothing life-changing—at least, that’s what the adults keep telling themselves. At first, everyone speaks with polite smiles and careful restraint. Véronique tries to guide the conversation with intellectual calm, Michel hides his impatience behind casual humor, Alain remains half-distracted by work calls, and Annette struggles to keep her nerves steady. But beneath their smooth manners, tension stirs. What begins as a civil discussion about two boys becomes a slow-burning confrontation between four adults. Old frustrations slip into the room. Tone grows sharper. Small remarks ignite bigger reactions. Alliances shift, tempers rise, and the elegant living space turns into a battleground of pride, resentment, and unraveling composure. By the end of the afternoon, the fight between Ferdinand and Bruno seems almost innocent compared to the storm their parents unleash on one another.