Age: 38
female
Vanessa Nuala Kirby is an English actress. She rose to international prominence with her portrayal of Princess Margaret in the Netflix drama series The Crown (2016–2017), for which she won the BAFTA for Best Supporting Actress. For her performance in the film Pieces of a Woman (2020), she won the Volpi Cup for Best Actress. She received a nomination for the Academy Award for Best Actress. Kirby made her professional acting debut on stage, with acclaimed performances in the plays All My Sons (2010), A Midsummer Night's Dream (2010), Women Beware Women (2011), Three Sisters (2012), and as Stella Kowalski in A Streetcar Named Desire (2014). She also appeared in the action films Mission: Impossible – Fallout (2018), Hobbs & Shaw (2019), and The Fantastic Four: First Steps (2025), and portrayed Empress Joséphine in the historical drama Napoleon (2023). Description above from the Wikipedia article Vanessa Kirby, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Vanessa Kirby
Annette Reille
for Annette Reille in God of Carnage
Suggested by sepanta_kazemi
A minor playground scuffle brings two seemingly composed couples together for what should be a simple conversation. Alain and Annette Reille, polished, well-off, and determined to stay formal, arrive at the apartment of Véronique and Michel Houllié, who pride themselves on being rational, cultured, and morally grounded. The incident? Alain and Annette’s son, Ferdinand, struck Bruno, the Houlliés’ son, during an argument, leaving Bruno with a bruised lip and a damaged tooth. Nothing life-changing—at least, that’s what the adults keep telling themselves. At first, everyone speaks with polite smiles and careful restraint. Véronique tries to guide the conversation with intellectual calm, Michel hides his impatience behind casual humor, Alain remains half-distracted by work calls, and Annette struggles to keep her nerves steady. But beneath their smooth manners, tension stirs. What begins as a civil discussion about two boys becomes a slow-burning confrontation between four adults. Old frustrations slip into the room. Tone grows sharper. Small remarks ignite bigger reactions. Alliances shift, tempers rise, and the elegant living space turns into a battleground of pride, resentment, and unraveling composure. By the end of the afternoon, the fight between Ferdinand and Bruno seems almost innocent compared to the storm their parents unleash on one another.
