Age: 55
male
Jonathan Daniel Hamm (born March 10, 1971) is an American actor. He is best known for his role as Don Draper in the period drama series Mad Men (2007–2015), for which he won numerous accolades, including a Primetime Emmy Award and two Golden Globe Awards. Hamm also acted in lead roles in the films Stolen (2010), Million Dollar Arm (2014), Keeping Up with the Joneses (2016), Beirut (2018), and Confess, Fletch (2022), as well as his supporting roles in The Town (2010), Sucker Punch (2011), Bridesmaids (2011), Baby Driver (2017), Tag (2018), Bad Times at the El Royale (2018), The Report (2019), Richard Jewell (2019), No Sudden Move (2021), and Top Gun: Maverick (2022). He also provided voice acting roles in the animated films Shrek Forever After (2010), Minions (2015), and Transformers One (2024). He has appeared in the Sky Arts series A Young Doctor's Notebook, the Channel 4 dystopian anthology series Black Mirror, the Amazon Prime fantasy series Good Omens, the FX superhero series Legion (2018), and the FX crime anthology series Fargo. He was Emmy-nominated for his roles in 30 Rock, Unbreakable Kimmy Schmidt, and The Morning Show. He has also acted in Parks and Recreation and Curb Your Enthusiasm. Description above from the Wikipedia article Jon Hamm, licensed under CC-BY-SA, full list of contributors on Wikipedia.
A minor playground scuffle brings two seemingly composed couples together for what should be a simple conversation. Alain and Annette Reille, polished, well-off, and determined to stay formal, arrive at the apartment of Véronique and Michel Houllié, who pride themselves on being rational, cultured, and morally grounded. The incident? Alain and Annette’s son, Ferdinand, struck Bruno, the Houlliés’ son, during an argument, leaving Bruno with a bruised lip and a damaged tooth. Nothing life-changing—at least, that’s what the adults keep telling themselves. At first, everyone speaks with polite smiles and careful restraint. Véronique tries to guide the conversation with intellectual calm, Michel hides his impatience behind casual humor, Alain remains half-distracted by work calls, and Annette struggles to keep her nerves steady. But beneath their smooth manners, tension stirs. What begins as a civil discussion about two boys becomes a slow-burning confrontation between four adults. Old frustrations slip into the room. Tone grows sharper. Small remarks ignite bigger reactions. Alliances shift, tempers rise, and the elegant living space turns into a battleground of pride, resentment, and unraveling composure. By the end of the afternoon, the fight between Ferdinand and Bruno seems almost innocent compared to the storm their parents unleash on one another.
