Age: 74
male
Christopher Walton Cooper (born July 9, 1951) is an American actor. He has appeared in supporting performances in several major Hollywood films, including American Beauty (1999), October Sky (1999), The Bourne Identity (2002), Seabiscuit (2003), Capote (2005), Syriana (2005), The Kingdom (2007), Where the Wild Things Are (2009), The Town (2010), The Muppets (2011), Cars 3 (2017), A Beautiful Day in the Neighborhood (2019), and Little Women (2019). He also portrayed Sheriff July Johnson in the acclaimed miniseries Lonesome Dove, which became one of the most successful Westerns in history. Cooper won both the Academy Award and Golden Globe Award for Best Supporting Actor for his role as John Laroche in the 2002 film Adaptation. He played a lead role in the historical and political thriller Breach (2007), playing FBI agent and traitor Robert Hanssen. He played Daniel Sloan in the 2012 political thriller The Company You Keep, and supervillain Norman Osborn in The Amazing Spider-Man 2 (2014). He also portrayed Al Templeton on the 2016 Hulu miniseries 11.22.63. He is a frequent collaborator with director John Sayles, including Matewan (1987), City of Hope (1991), Lone Star (1996), Silver City (2004) and Amigo (2010). Description above from the Wikipedia article Chris Cooper, licensed under CC-BY-SA, full list of contributors on Wikipedia.
In 1968, a fifteen-year-old girl begins documenting her life in a diary, capturing the fragile intensity of adolescence - crushes, insecurities, family tension, and a longing to belong. When her father’s new academic job forces the family to relocate, she struggles to adjust, finding brief comfort in a friendship with a girl named Beth. But a visit back to her hometown changes everything: at a party, she unknowingly takes LSD, igniting a spiral into experimentation. What begins as curiosity quickly deepens into dependence, as she chases escape through drugs, risky relationships, and a growing detachment from her former self. Her world fractures further when betrayal, exploitation, and trauma leave her unmoored, pushing her into a transient life drifting between cities, dangerous situations, and fleeting illusions of freedom. Despite moments of clarity - returning home, attempting sobriety, and reconnecting with her family - the pull of addiction and social pressure proves relentless. After a forced relapse and psychological breakdown, she is hospitalized, where she begins to piece herself back together. Upon release, she makes a genuine effort to rebuild her life, forming healthier relationships and choosing connection over isolation. For the first time, she imagines a future beyond her diary, deciding to stop writing and instead face the world openly. Yet in a haunting epilogue, that fragile hope is shattered: only weeks later, she is found dead from a drug overdose, its cause uncertain - leaving behind her diary as both a warning and a deeply personal record of a life consumed too soon.
