Age: 47
male
Lee Grinner Pace (born March 25, 1979) is an American actor. Pace has been featured in film, stage and television. He starred as protagonist Joe MacMillan in AMC's Halt and Catch Fire. He also played Roy Walker/the Masked Bandit in the 2006 film The Fall. He has appeared in film series, including The Twilight Saga: Breaking Dawn – Part 2 as Garrett and The Hobbit trilogy as Thranduil. He played villain Ronan the Accuser in the film Guardians of the Galaxy, and starred as Ned in the ABC series Pushing Daisies for which he was nominated for the Golden Globe Award and Primetime Emmy Award for Outstanding Lead Actor in a Comedy Series in 2008. Most recently, he played Greg in the A24 horror film Bodies Bodies Bodies (2022). Description above from the Wikipedia Lee Pace licensed under CC-BY-SA, full list of contributors on Wikipedia.
In 1968, a fifteen-year-old girl begins documenting her life in a diary, capturing the fragile intensity of adolescence - crushes, insecurities, family tension, and a longing to belong. When her father’s new academic job forces the family to relocate, she struggles to adjust, finding brief comfort in a friendship with a girl named Beth. But a visit back to her hometown changes everything: at a party, she unknowingly takes LSD, igniting a spiral into experimentation. What begins as curiosity quickly deepens into dependence, as she chases escape through drugs, risky relationships, and a growing detachment from her former self. Her world fractures further when betrayal, exploitation, and trauma leave her unmoored, pushing her into a transient life drifting between cities, dangerous situations, and fleeting illusions of freedom. Despite moments of clarity - returning home, attempting sobriety, and reconnecting with her family - the pull of addiction and social pressure proves relentless. After a forced relapse and psychological breakdown, she is hospitalized, where she begins to piece herself back together. Upon release, she makes a genuine effort to rebuild her life, forming healthier relationships and choosing connection over isolation. For the first time, she imagines a future beyond her diary, deciding to stop writing and instead face the world openly. Yet in a haunting epilogue, that fragile hope is shattered: only weeks later, she is found dead from a drug overdose, its cause uncertain - leaving behind her diary as both a warning and a deeply personal record of a life consumed too soon.
