Age: 57
male
Michael Christopher Sheen (born 5 February 1969) is a Welsh actor and political activist. After training at London's Royal Academy of Dramatic Art (RADA), he worked mainly in theatre throughout the 1990s and made notable stage appearances in Romeo and Juliet (1992), Don't Fool With Love (1993), Peer Gynt (1994), The Seagull (1995), The Homecoming (1997), and Henry V (1997). His performances in Amadeus at the Old Vic and Look Back in Anger at the National Theatre were nominated for Olivier Awards in 1998 and 1999, respectively. In 2003, he was nominated for a third Olivier Award for his performance in Caligula at the Donmar Warehouse. He has become better known as a screen actor since the 2000s through his roles in various biographical films. He has starred in a trilogy of films as British politician Tony Blair: the television film The Deal (2003), followed by The Queen (2006) and The Special Relationship (2010). For the role, he was nominated for both a BAFTA Award and an Emmy. He was also nominated for a BAFTA as the troubled comic actor Kenneth Williams in BBC Four's 2006 Fantabulosa!, and was nominated for a fourth Olivier Award in 2006 for portraying the broadcaster David Frost in Frost/Nixon. He starred as the controversial football manager Brian Clough in The Damned United (2009). In 2009, he appeared in two fantasy films, Underworld: Rise of the Lycans and The Twilight Saga: New Moon. He also appeared in the science-fiction film Tron: Legacy (2010), and Midnight in Paris (2011). He directed and starred in National Theatre Wales's The Passion (2011). He also played a lead role in The Twilight Saga: Breaking Dawn Part 2 in 2012. In 2013, he received a Golden Globe nomination for his role in Showtime's television drama Masters of Sex (2013–2016). He played an incarcerated serial killer surgeon in Fox's 2019 drama, Prodigal Son, an angel in the 2019 BBC/Amazon Studios miniseries Good Omens, and appeared as Chris Tarrant in Quiz in 2020. From Wikipedia, the free encyclopedia
The Emperor needs necromancers. The Ninth Necromancer needs a swordswoman. Gideon has a sword, some dirty magazines, and no more time for undead nonsense. Tamsyn Muir’s Gideon the Ninth unveils a solar system of swordplay, cut-throat politics, and lesbian necromancers. Her characters leap off the page, as skillfully animated as arcane revenants. The result is a heart-pounding epic science fantasy. Brought up by unfriendly, ossifying nuns, ancient retainers, and countless skeletons, Gideon is ready to abandon a life of servitude and an afterlife as a reanimated corpse. She packs up her sword, her shoes, and her dirty magazines, and prepares to launch her daring escape. But her childhood nemesis won’t set her free without a service. Harrowhark Nonagesimus, Reverend Daughter of the Ninth House and bone witch extraordinaire, has been summoned into action. The Emperor has invited the heirs to each of his loyal Houses to a deadly trial of wits and skill. If Harrowhark succeeds she will be become an immortal, all-powerful servant of the Resurrection, but no necromancer can ascend without their cavalier. Without Gideon’s sword, Harrow will fail, and the Ninth House will die. Of course, some things are better left dead.
