
Age: 50
male
Taika David Cohen ONZM (born 16 August 1975), known professionally as Taika Waititi(/ˈtaɪkə ˈwaɪtɪti/ TY-kə WY-tee-tee), is a New Zealand filmmaker, actor and comedian. He is known for directing quirky comedy films and has expanded his career as a voice actor and producer on numerous projects. He has received multiple accolades, including an Academy Award, a BAFTA Award and a Grammy Award. Time magazine named him one of the 100 most influential people in the world in 2022. His feature films Boy (2010) and Hunt for the Wilderpeople (2016) have each been the top-grossing New Zealand film. Waititi's 2003 short film Two Cars, One Night earned him an Academy Award nomination for Best Live Action Short Film. He co-wrote, co-directed and starred in the horror comedy film What We Do in the Shadows (2014) with Jemaine Clement, which was adapted into a television series of the same name in 2019. The series has been nominated for the Primetime Emmy Award for Outstanding Comedy Series. His directing credits include the superhero films Thor: Ragnarok (2017) and Thor: Love and Thunder (2022), as well as the black comedy film Jojo Rabbit (2019), the last of which he also wrote and starred in as an imaginary version of Adolf Hitler. Jojo Rabbit received six Academy Award nominations and won Best Adapted Screenplay. Waititi also earned a Grammy Award for producing the film's soundtrack. In television, Waititi co-created and produced the comedy-drama series Reservation Dogs and directed, produced, and starred in the comedy Our Flag Means Death. In addition to directing an episode of The Mandalorian series, he voiced the character IG-11, for which he was nominated for the Primetime Emmy Award for Outstanding Character Voice-Over Performance. Description above from the Wikipedia article Taika Waititi, licensed under CC-BY-SA, full list of contributors on Wikipedia.

The Emperor needs necromancers. The Ninth Necromancer needs a swordswoman. Gideon has a sword, some dirty magazines, and no more time for undead nonsense. Tamsyn Muir’s Gideon the Ninth unveils a solar system of swordplay, cut-throat politics, and lesbian necromancers. Her characters leap off the page, as skillfully animated as arcane revenants. The result is a heart-pounding epic science fantasy. Brought up by unfriendly, ossifying nuns, ancient retainers, and countless skeletons, Gideon is ready to abandon a life of servitude and an afterlife as a reanimated corpse. She packs up her sword, her shoes, and her dirty magazines, and prepares to launch her daring escape. But her childhood nemesis won’t set her free without a service. Harrowhark Nonagesimus, Reverend Daughter of the Ninth House and bone witch extraordinaire, has been summoned into action. The Emperor has invited the heirs to each of his loyal Houses to a deadly trial of wits and skill. If Harrowhark succeeds she will be become an immortal, all-powerful servant of the Resurrection, but no necromancer can ascend without their cavalier. Without Gideon’s sword, Harrow will fail, and the Ninth House will die. Of course, some things are better left dead.





